Marginalization, a fluid concept, challenges status quo understandings and representations of individuals throughout the world. Considered to reference individuals who have been excluded from the mainstream dialogue, marginalization has developed into a term that evokes an examination of the master narrative, also known as the metanarrative. In a world where the master narrative predominates, individuals are systematically excluded based on a characteristic or characteristics they possess that disrupt a specified system of cultural norms. In relation to the global media, marginalized voices represent groups that have self-contained cultural norms and rules that differ from mainstream norms and rules. While marginalized groups may share some norms, rules, and values with the mainstream culture, they possess differences that can be viewed as transgressive, existing outside the mainstream norms, rules, and values. Media representations of groups that are globally marginalized, and sometimes stigmatized, include but are not limited to race, ethnicity, sexuality, gender, class, ableism, and religion. A study of these marginalized groups reveals an implied system of privilege that reifies the status quo and supports the master narrative. Media invisibility results from marginalization, and when marginalized groups are represented, often those representations are through a marketable, stereotypical lens. As a result of the dearth of images, and a system of privilege, few studies examine marginalized groups in countries throughout the world. By creating a global dialogue about marginalized voices, images, and self-representations, advocacy for difference and understanding allows these voices, images, and self-representations to become expressive renderings of specific transgressive cultural norms.
A few years ago, I became intrigued with the notion of oral memoir or what I call "performative memoir." Memoir has become a popular literary genre for celebrities and artists to tell the tales of their lives. Unlike traditional memoir that focuses on describing the unique stories and experiences of an individual's life, performative memoir shares stories mostly about the individual's relationships with others, using language that is orally engaging so as to bring the audience into her world.To date, I have worked on three performative memoirs. While working on these performative memoirs, I observed several specific characteristics. When attempting to create a visceral experience for the audience, the performative memoirist uses nostalgic language, language that stirs the senses and evokes an experience that is understood through the body, not just through the mind. Sometimes this means writing short sentences, repeating phrases, and creating scenes by embodying characters who hold an opinion about the circumstances at hand. Sometimes this means straightforward narrative which demonstrates some type of struggle with one's identity-whether that be ethnicity, race, sexuality, or class.
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