The Akan are historically an important ethnic group in Ghana who have beliefs on wide range of practices including orthopaedic therapy. The treatment is referred to in indigenous circles as 'bone setting'. It is a specialised branch of traditional medicine which is quite popular among the Akan in Ghana. Unfortunately, most studies on the subject have focused on benefits of the treatment without placing premium on the philosophy that produced those results. The study seeks to examine the belief systems associated with indigenous orthopaedic therapy among the Akan of Ghana and also investigate the extent to which the belief systems have influenced the diagnosis, treatment and rehabilitation of indigenous orthopaedic therapy. The study is qualitative and the Case study approach was adopted. The population for the study comprises the orthopaedic centres in the Akan Regions of Ghana, patients and cured patients from the selected indigenous orthopaedic centres, Western Medical Practitioners associated with the centres and knowledgeable people on the subject in the communities visited. Purposive sampling procedure was adopted for this study. Observation, and interview were used to collect data from the centres visited. The study revealed that the Akan belief informs the therapists' choices of tools and materials for their therapeutic processes. Their mode of diagnosis and treatment are also influenced largely by this belief. These processes are approached from two levels; the spiritual and the physical. Spiritually, they deal with the spirit that caused the bone injury and physically use various substances to treat the injury. The indigenous practice therefore makes room for rehabilitation of cured patients in order to address all social and psychological imbalances the injury brings to the cured patients.

Purpose: The study sought to examine the impact of institutional textiles research on the textile industry in Ghana to make feasible projections towards the effective implementation of research findings for the revitalization and sustainability of the Ghana textile industry. Design/Methodology/Approach: Adopting the quantitative evaluation research methods with questionnaires and interviews as the main instrumentation for data collection. Purposive sampling and stratified random sampling techniques were used to select 142 respondents. Though, only 54 respondents participated in the research.. The data was analysed descriptively using frequency. Findings: The study revealed that despite the upsurge of research works with concrete and feasible recommendations in curbing the challenges of the textile factories, the lack of industry/academia collaboration is what impedes the effective implementation of these research findings to address the issues. Research Limitation: The study focused on two major large-scale textile factories in Ghana; Tex Styles Ghana Limited (TGL) and Akosombo Textiles Limited (ATL) alongside research publications of Ghanaian institutions of high repute like KNUST, Takoradi Technical University, University of Education, University of Cape Coast and the University of Ghana were targeted for the study. Practical Implication: There should be a strong partnership between industry and academia through collaborative research, a policy on the implementation of research findings, allocation of funds for textile researchers and a monitoring system by the government to ensure full implementation of research findings. Social Implication: The study, therefore, calls on the government to monitor these policies to ensure that they are in full effective operation and implemented to the highest peak. Originality/ value: the findings of this study provide numerous recommendations by academic institutions of higher learning aimed at revamping the declining industry which when fully implemented will help boost the rise of the industries.

Ghanaian society and the world at large have shown a strong interest in the use of lampshades with evidence from hotels and residential dwellings. Table-top Lampshades direct the rays of light to make sight easier for reading whereas bedside lampshades provide romantic illumination and beautification in bedrooms. This art studio research sought to examine lampshades on Ghanaian market; their qualities, significance, shortcomings, etc. as the basis to design and produce inventive lampshades for private and public use. The study was conducted at an art studio condition using Practice-based research design method. Findings show that lampshades serve functional and aesthetic significance in public dwellings and the hospitality industry. Nonetheless, available lampshades on the Ghanaian market lack the multifunctional property as well as a local touch which arguably makes them misfit in Ghanaian context in terms of usage. The innovative results of the studio-produced lampshades revealed the possibility of creating symbolic and multifunctional lampshades which suit specific space and tradition. The study recommends the adoption of such innovative design approach in the creation of interior design and decoration artefacts for residential and public edifices.