No abstract

Malang is popular with one of its traditional dance that is Malang Puppet Mask (Wayang Topeng Malang, shortened into WTM). WTM has several characteristics, they are: (1) retelling Panji stories; (2) all dancers wear puppet mask with its own characters; (3) puppet master is usually performed by male and is responsible to tell stories and narrate the dialogs; (4) the stage has its definite patterns and cannot be changed according to the puppet master's will. Panji's stories and narration are based on folk lore so that the form and the structure are based on the puppet master's memories, perception and variation, WTM artists, and the society. Sanggar Asmoro Bangun as one of WTM groups, located in Kedungmonggo village, Malang District, presents the dance into two versions, they are: (1) full duration to perform Rabine Panji (Panji's Marroage); and (2) short version in performing Rabine Panji. Both versions influence several aspects in performing the dances, such as, the structure, the time, the scenes and the music.

Perbankan Syariah merupakan sistem perbankan yang sedang tumbuh di Indonesia. Maka, berbagai kajian tentang bank Syariah sangat dibutuhkan sebagai dukungan kajian akademik bagi perbankan syariah. Salah satu topik yang menarik adalah kebiasaan nasabah bank syariah dalam menggunakan fasilitas berbasis teknologi informasi atau yang disebut e-Banking. Penelitian ini bertujuan untuk mengkaji penggunaan fasilitas  e-Banking oleh nasabah di Bank Syariah Mandiri KCP Kepanjen. Tujuan penelitian ini adalah untuk mengetahui pemanfaatan dari layanan e-Banking oleh nasabah Bank Syariah Mandiri KCP Kepanjen. Penelitian ini menggunakan metode kualitatif deskriptif. Sumber data primer didapatkan dari wawancara terukur terhadap 27 nasabah yang datang ke kantor bank. Penelitian ini menemukan bahwa layanan e-Banking kurang digunakan secara maksimal oleh nasabah. Penyebabnya adalah faktor usia, faktor intensitas penggunaan layanan perbankan, serta tempat tinggal nasabah.

Pakis village has developed its territory to become a historical site of Majapahit. In Pakis village, in Trowulan District, there is an arts group called Laras Panji Kepakisan, which is involved whenever there is a performance at TPDSM. The purpose of this research was to work with this arts group to transfer knowledge about traditional music creations both in theory and practice and to foster creativity in developing traditional music creations. The activity implementation method was carried out with a group-based model to take a comprehensive inventory of community insights and thoughts. Community service team activities were carried out, and monitoring and evaluation processes measured the achievement of the targets and outcomes, which were focused on the creative abilities of the community. The methods used to evaluate and obtain feedback on the process and results of the training activities within the community included workshops, demonstrations, group assignments, and discussions. Keywords: traditional music, Laras Panji Kepakisan

This study describes the power and knowledge and the relationship between the two of the puppeteers of the mask puppet show in Malang district. This qualitative research used interviews and observation to collect data, which were then analysed using the Foucault’s genealogical method. The results showed that the puppeteers of the mask puppet show in Malang have a more substantial knowledge orientation than other puppeteers. The puppeteers have obtained their power–knowledge by disciplining their bodies for several years, built from its social and environmental existence. The role of a puppeteer requires a person to not only have spiritual strength but also a vision of directing and organising the show. The puppeteer’s power-knowledge produces discourse that has autonomy and power. Keywords: power-knowledge, power relationship, puppeteer