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The chapter argues that the resurgence in the late 2010s of films set during or focusing on events of the Cold War allow American audiences to buy into a nostalgically purified vision of America as morally and militarily superior to our allies and to our enemies–contributing to a new victory culture untroubled by the actual events of history. It focuses such films as Atomic Blonde and Bridge of Spies and claims that they re-secure and re-create a comforting and comfortable image of Americans in a world simplified into the binary distinctions (right/wrong, good/evil) that have become central to our nostalgic retellings of the Cold War.