We contend that “waste” is the political other of capitalist “value”, repeated with difference as part of capital's spatial histories of surplus accumulation. We trace its work on India through a series of historical cuts, and suggest that the travels and perils of waste give us a “minor” history of capitalist surplus—the things, places and lives that are cast outside the pale of “value” at particular moments as superfluity, excess, or detritus; only to return at times in unexpected ways. The neologism “eviscerating urbanism” becomes our diagnostic tool to investigate both urban transformations in metropolitan India and their associated architectures for managing bodies and spaces designated as “wasteful”. In sum, our essay reveals how “waste” begins as civil society's literal and figurative frontier only to become its internal and mobile limit in the contemporary era—a renewing source of jeopardy to urban life and economy, but also, in the banal violence and ironies of fin de millennium urbanism, a fiercely contested frontier of surplus value production.
My essay focuses on the marginalised people whose livelihoods depend on gathering, sorting, transporting and selling garbage in India's huge informal economy, livelihoods now challenged as municipal governments contract the recycling of waste to corporations. The evolving, bumpy geography of the waste economy creates permanent border areas of primitive accumulation and both devalorised and valorised people and places. I make a case for understanding informal sector activities, such as the work of transforming the city's detritus, as part of a vast infra‐economy and the varied forms of labour performed within heterogeneous value chains of waste transformation as infrastructural labour that produces what Marx called capital's ‘general’ and ‘external’ conditions of production. Through close examination of the spatiotemporal lattice of informal municipal solid waste recycling, I demonstrate how these economies are at once highly organised and brittle, with each node in their value chains subject to disruption by state and market forces. While relative opacity, labour intensity of tasks and dependence on embodied knowledge (metis), indeed a ‘bodily’ feel for space, give informal economies the capacity to resist external efforts to transform, subsume or eradicate them; lack of social security and employment protections also means that workers and micro‐enterprise owners within them inhabit the thin line between survival and failure, rendering them vulnerable to economic and political fluctuations. The upshot is that the labour of waste and other informal sector workers is critical for maintaining the quality of life desired by the well off in cities of the global South, but fails to get the recognition it deserves. Waste workers are poorly compensated, regularly stigmatised and frequently invisible in policy decisions. This is an enduring inequity that demands urgent correction.
In this article we present a provisional theory of rural cosmopolitanism as a counterpoint to conventional discussions of cosmopolitanism and demonstrate its significance for studying South Asian modernities. We explore our ideas through the figure of the circular migrant: someone who transmits through movements in geographic space not just sensi bilities and ideas, but also the materials and techniques that enable the transformation of social space in multiple worlds. The regionalisation of labour markets in India, with a consequent rise in labour circulation, provides empirical justification to our foeus on circular migrants. But neither circular migration nor rural cosmopolitanism is a new phenomenon. Instead, we suggest that by probing the largely invisible histories of move ment within South Asia, we may end up writing the rise of nationalisms, regional political movements, and modernities in that part of the world in very different ways. This is pre cisely why it is necessary to reject the figure of an international or transnational subject as the standard bearer of cosmopolitanism and realise that cosmopolitanism operates at various scales; and, equally, that the cosmopolitan is a person who disrupts conven tional spatial divisions and produces newly salient spaces of work, pleasure, habitation and politics.
This special issue, papers presented at an Urban Studies Foundation-funded conference in Jakarta (March 2011), examines the current 'urban century' in terms of three revolutions. Revolutions from above index the logics and norms of mainstream global urbanism, particularly the form they have taken as policymakers work with municipal officials worldwide to organise urban development around neoliberal norms. Revolutions from below refer to the multifaceted contestations of global urbanism that take place in and around cities, ranging from urban street demonstrations and occupations (such as those riveting the world in early 2011 when these papers were written) to the quotidian actions of those pursuing politics and livelihoods that subvert the norms of mainstream global urbanism. It also highlights conceptual revolutions, referencing the ongoing challenge of reconceptualising urban theory from the South -not simply as a hemispheric location or geopolitical category but an epistemological stance, staged from many different locations butCorresponding author: Eric Sheppard, Department of Geography, University of California and Berkeley, Bunche Hall, Los Angeles CA 90095, USA. Email: esheppard@geog.ucla.edu always fraught with the differentials of power and the weight of historical geographies. Drawing on the insights of scholars writing from, and not just about, such locations, a further iteration in this 'southern' turn of urban theorising is proposed. This spatio-temporal conjunctural approach emphasises how the specificity of cities -their existence as entities that are at once singular and universal -emerges from spatio-temporal dynamics, connectivities and horizontal and vertical relations. Practically, such scholarship entails taking the field seriously through collaborative work that is multi-sited, engages people along the spectrum of academics and activists, and is presented before and scrutinised by multiple publics.
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