Recent research into how individuals achieve their musical goals has been enriched by studies investigating music practice through the lens of self-regulation, or the goal-orientated planning, cyclical adaptation, and reflection of an individual’s thoughts, feelings and actions. The article aims to review the available empirical evidence in order to identify the relationship between processes contained within Zimmerman’s (2000) model of self-regulation and specific music learning variables. It also attempts to discover how self-regulatory behavior relates to both general music instruction and interventions designed to enhance self-regulation. Findings indicate weak, positive relationships with the variables of interest, but suggest self-regulation instruction is the most strongly related variable. The discussion proposes that future research may benefit from investigations of self-regulation within a broader spectrum of musicians and an exploration of participant-driven understandings of self-regulation theory.

The main objective of this systematic review is to synthesize the empirical evidence on how the Internet and social media may, or may not, constitute spaces for exchange that can be favorable to violent extremism. Of the 5,182 studies generated from the searches, 11 studies were eligible for inclusion in this review. We considered empirical studies with qualitative, quantitative, and mixed designs, but did not conduct meta-analysis due to the heterogeneous and at times incomparable nature of the data. The reviewed studies provide tentative evidence that exposure to radical violent online material is associated with extremist online and offline attitudes, as well as the risk of committing political

Afin d’assurer l’intégration des technologies de l’information et de la communication (TIC) dans les universités, il est essentiel de comprendre comment les étudiants et leurs enseignants perçoivent leurs compétences et l’utilisation des TIC. Des données ont été recueillies d’étudiants et d’enseignants dans 12 universités québécoises par des questionnaires fondés sur les théories psychopédagogiques dans le contexte de l’intégration des technologies éducatives. Les résultats montrent que pour les enseignants, l’efficacité de l’utilisation des TIC et des stratégies interactives de l’enseignement prédisent plus fortement une perception positive de l’expérience d’apprentissage en classe. Cependant pour les étudiants, les cours magistraux qui sont stimulants sont l’élément le plus important de leur appréciation d’apprentissage. Les possibilités de recherche future sont discutées à la lumière des résultats de cette étude.We are witnessing the integration of increasingly sophisticated information and communication technologies (ICTs) in higher education settings. Understanding learners’ and instructors’ perceptions of their proficiency and use of ICTs is critical to the success of their integration in universities. Using a theoretical framework grounded in technology integration and educational psychology, survey data were collected from students and instructors spanning 12 Quebec universities. Results show that, for instructors, the efficacy of ICT use, and constructivist, interactive forms of teaching most strongly predict a positive perception of the classroom learning experience. Meanwhile, for students, stimulating lectures are the chief predictors of their learning appreciation. Directions for future research are discussed in light of the results of this study

This is the protocol for a Campbell systematic review. The main objective of this project is to gather, critically appraise, and synthesize evidence about the appropriateness and utility of tools used to assess the risk of violent radicalization.

The purpose of this study was to gain an in-depth understanding of how one classically trained musician adapted his pedagogical practices to accommodate the needs and interests of his students. A case-study methodology was employed to explore the perceptions and practices of this teacher, and data were collected over a two-year period through interviews and observations. Findings indicated that students were engaged in music-making throughout the lesson, and that many of the lesson characteristics aligned with Lucy Green's (2002, 2008) descriptions of an informal pedagogical orientation. The overarching aim of the teacher's instruction was to support students’ development of musical knowledge and skills that would enhance their learning, and to expand their understanding of musical genres and performance practices.