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Trying specifically not to fall into either eclecticism or redundancy, this paper is an attempt to develop a dialogical understanding of international relations within the meta-theoretical field of constructivism. Dialogism holds that the social world is constructed through an interweaving of mutually-responsive discourses between several agents. Further, it provides an interpretative tool, the hermeneutical locus, to understand agents' identities as a factor in international relations by discerning their expressivity, contextuality and relationality. Dealing more closely with the questions of identity and identity formation within the discipline of International Relations, the paper further regards national identity as a factor which is expressed in a particular aspect of foreign policy: the politics of alterity. Grounding my approach in the works of the Russian intellectual Mikhail Mikhailovitch Bakhtin, in the first part of the paper I define what is to be understood by dialogism and its constitutive notion of transgredience. The second part is dedicated to the actual integration of dialogism within the discipline of International Relations. An example drawn from Japanese domestic and foreign policy prior to the Second World War further facilitates the comprehension of the theoretical argument concerning the link between the national and the international in a politics of alterity

This contribution offers the first steps in a novel conceptualization of how international relations and security studies can provide an analytics of silence. Starting with an analysis of a paradigmatic use of silence in the field, Lene Hansen’s ‘Little Mermaid’, the contribution shows the limitations and issues with an analytics that concentrates on the meaning behind silences. Silence as meaning is problematic because analytically what is offered solely is the overinvestment of the analyst’s ‘horizon of expectation’ upon a sign that is not generally meant to be one. Mobilizing a feminist reading of pornography as speech act, the contribution shows how silence may also be performative, in the sense that it does something to a specific logocentric order at the heart of our analysis of the international or security. The contribution finally offers a possible way of thinking about silence as doing rather than meaning and shows how this can be a possible analytical path to invert our analytics of the international and security from the perspective of the state/the powerful to that of the subaltern.

The agenda of this article is to highlight how security becomes intelligible, is enacted, contested and (re)appropriated in part through colour use. Even though colours are a natural phenomenon, their meanings are societal products, and part of our constructed visibilities. These can be investigated through chromatology, the study of colour in relation to people. We illustrate this by applying multimodal social semiotics to view highly securitized sites, those of concentration and enemy-combatant camps. We show that the colour uses instituted to classify and govern prisoners not only structure the inmates socially, but also become vehicles for resisting the security discourses associated with them. The aim of the article is to highlight how security and international relations are intersemiotic relations, and to open up the study of security to an expanded range of semiotic modalities and methods of inquiry.