Based on 3D virtual fitting technology, this paper simulates and reproduces the fabric patterns and sewing processes of 12 characters’ costumes in different scenes on the basis of completing the archaeology of the characters’ costumes in the painting, so as to realize the 3D virtual sewing and digital simulation restoration of the characters costumes. This paper draws the style diagram, structure diagram and 3D virtual simulation diagram of the character costumes in the painting. The article further improves the research on the costumes of the Five Dynasties and Ten Kingdoms, which has a certain reference value for the study of ancient character costumes and the promotion of Chinese garment culture. At the same time, it provides a reference for the design of artistic works such as character costumes in film and television and games.

This paper takes the tomb murals as the research object, and realizes the development of the costume patterns of the Tang tomb murals and the 3D simulation restoration of the costumes through 3D interactive clothing pattern-making technology and virtual simulation technology. Firstly, the 3D garment model is constructed in the virtual environment according to the costume outline of the Tang Dynasty tomb mural costume. Then, the structural curves of the garment are drawn on the 3D garment according to the characteristics of the Tang Dynasty tomb mural garment style, the 3D surface is expanded and surrounded by these curves into the 2D garment plane, and the expanded surface is adjusted to obtain the 2D garment plane pattern. We use 3D virtual simulation technology to sew the patterns of Tang Dynasty tomb mural costumes and realize the virtual simulation restoration of Tang Dynasty tomb mural costumes. Finally, we create a fuzzy comprehensive evaluation of the restoration effect of the restored costumes. Compared with the traditional costume restoration methods, the method proposed in this paper reduces the technical requirements for operators in the restoration process without destroying cultural relics, and provides a new method for the rapid simulation and restoration of ancient Chinese costumes.

Based on 3D reverse engineering and man-machine interactive technologies, this paper completed the pattern development of a straight-front robe of the Mawangdui Han Dynasty tomb and restored the straight-front robe by virtual simulation technology. Firstly, the garment contour was extracted from the straight-front robe image of the Mawangdui Han Dynasty tomb, and then the garment model was established in the 3D virtual environment. According to the style characteristics of the straight-front robe, the structural curves were drawn on the adjusted 3D robe surface, and the different curved surfaces formed by these curves were expanded to obtain 2D garment patterns. Finally, the unfolded patterns were stitched on the virtual human body to realize the digital restoration of the straight-front robe of the Mawangdui Han Dynasty tomb. Compared with the current methods of garment restoration, the method proposed in this paper not only reduces the technical requirements of pattern-making for archaeologists but also for unearthed cultural relic garments, the final pattern can be obtained without consulting a lot of data and repetitive modification of pattern, to improve efficiency and save manpower. Our proposed technology provides a new practical method for costume archaeology and restoration.

Based on the human torso point cloud, this paper proposes a method from the 3D design of the corset to the 2D pattern expansion. The point cloud of the human body is obtained through 3D scanning. The human body model for research is constructed, and the 3D basic style design of the corset is carried out, based on the same style and different structural line design, and through the curved surface flattening platform to convert 3D into 2D patterns. The verification was made through a virtual simulation platform and physical production methods. This study enriches the application prospect of digital technology in clothing design. Our proposed solution provides a more intuitive wedding dress design method and improves fit and comfort. It can significantly reduce the difficulty of wedding pattern-making and improve the efficiency of wedding design. In addition, our proposed method is not only suitable for wedding dress design, but also other styles of clothing design.