This paper explores the spatio-temporal trend structure of inbound tourism development levels in China from 1991 to 2010. The investigation is based on theories of unbalanced regional economic growth and uses econometric methods. Absolute and relative disparities at the provincial level of inbound tourism in China tended to decrease during the 1990s. From 2001 to 2010, the relative disparities gradually decreased, whereas the absolute difference slightly increased. The overall regional disparity in the tourism development level exhibits a non-polarized and unbalanced development tendency along with the emergence of new, secondary tourism economic growth centres. Moreover, gradient differences remain in the three economic zones of China. This paper proposes a paradigm framework for regulating regional disparities and for facilitating comprehensive and coordinated inbound tourism development.

This study investigates affective meanings expressed in facial expressions and bodily gestures from a semiotic perspective. Particularly, the study focuses on disentangling relations of affective meanings and exploring the meaning potential of facial expressions and bodily gestures. Based on the analysis of over three hundred screenshots from two films (one animation and one live-action film), this study proposes a system of visual affect, as well as a system of visual resources involved in the expression of visual affect. The system of visual affect makes a further step in the investigation of affective meanings afforded by facial expressions and bodily gestures, and can provide methodological insights into the examination of affective meanings expressed visually. The system of visual resources provides a more meaning-motivated framework for systematic tracking of the visual resources, which may be applied to the analysis of other visual media apart from films.

This study explores the coordination between subtitles and other semiotic resources in films, from within a systemic functional semiotic framework. The paper focuses on the subtitling of interjections (e.g., ‘oh’, ‘wow’, ‘yay’) to examine how subtitles are synthesized in films with respect to the presence of facial expressions and/or bodily gestures which might be perceived as conveying similar meanings. The analysis of multiple versions of intralingual subtitles of two English-language films shows that the seemingly random omission of soundtrack interjections from subtitles is patterned to a considerable degree – those interjections which are concurrent with semiotically correlated actions were frequently omitted. The findings suggest that subtitling is a complex process involving synergy between subtitles and other semiotic resources, which calls for interdisciplinary research integrating translation, multimodality, and linguistics.

Traditionally known as interjections, the highly conventionalized linguistic forms like aha, hey, ouch, oh, sh, etc. have not been recognized as a word class in Systemic Functional Linguistics (SFL). A proximate word class that does get acknowledged in SFL is the continuative (typically represented by well, oh, yes, no and now), while other members in the traditional class of interjections tend to be treated as bi-stratal forms in language, if not protolanguage. Studies that are non-SFL driven have affiliated interjections with routines, formulae, discourse particles, discourse markers, etc. Such terminological complexity can be solidified and cleared if interjections are perceived as a word class under the SFL framework. The present paper, thus, proposes to discuss interjections across the language strata -from below (phonology and graphology), from around (lexicogrammar), and from above (semantics, in terms of the metafunctions). This holistic view will contribute to linguistic description of interjections and help enhance the understanding of interjections as a word class.