Painters arrange white space in contrast with chromatic space composed of strokes. This research measures white space, color complexity and stroke density in Chinese ink paintings and examines how these attributes influence the paintings’ perceived complexity. Empirical evidence from 21 well-known modern Chinese artists’ ink paintings shows that white space decreases paintings’ complexity, while chromatic space and stroke density increase complexity. We also reveal that a large rate of white space guides the viewers’ attention on chromatic space and enhances the impacts of color complexity and stroke density on perceived complexity. An eye-tracker measures viewers’ elaboration duration on each painting, which provides consistent evidence to validate our conclusion based on subjective reported visual complexity. Our research provides insights into the rhetorical role of white space in sensory information processing.

This article reports on a recent study that examines the effect of white space on perception of Chinese paintings. The authors investigate whether white space in Chinese paintings is not simply a blank background space but rather meaningful for aesthetic perception. Applying a computational saliency model to analyze the influence of white space on viewers’ visual information processing, the authors conducted an eye-tracking experiment. As a case study, they analyzed paintings by a well-known artist, Wu Guanzhong, and collected users’ subjective aesthetic ratings. Their results show that white space is not just a silent background: It is intentionally designed to convey certain information and has a significant effect on viewers’ aesthetic experience.

No abstract

No abstract

No abstract