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∬This s¢ ries of studies aims to clarify Case StUdy House Program ' s ( CSHP )pursuit of hollsing to " dwell in viewT ' as te 悟 umph tho stat¢ of rootlessness in modem houses． The generation of " areas " was the key to this typc of living ． Space was considered as " area " ， a field of activity with a view towards the distant ， rather than " room " in CSH ， Diverse activity areas were s 廿uctured by effective use of furnitUre ． 恥 miture was an esscntial method to organize inside and outs 重 de of the CSH with living ( activity ＞ areas posscssing magnlficent views ， This stUdy discloses the generation of areas in CSH as a method tr ) ' ' dwell ln vicw

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The purpose of this paper is to analyze specialization of puppet play in rural community theaters with Funazoko − butai forms ；temporary and pennanent ． We set Katsuura River bas血 area as the object of the field survey ． As a result ， it was found that the forms of the Funazoko − butai eXist and the rural community theaters can be classified into three types ； Hira − butai ， temporary F1ユnazoko − butai， and pemanent Funazoko − butai． We revealed 血 e changing ． mechanism of five elements within each theater type ． ln spite of becomilg exclusive for puppet play， 』 nlral community theaters continued to mailltain five elements to make spatial changes in accordance with each use of plays ahd annUal events ． KeywordsrUral COmmUnity tlea ter' Nouson − butai) ， Changing mechanism ， Fロ nazoko − butai， 跏 一 b ロ tai， Awa ' Tokus 血 a 丿 ， puppet play

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