“…Following an extensive review of the literature, it was observed that between 2011 and 2023, there were 29 theses and 18 articles dedicated to curriculum evaluation studies (Akarsu, 2017a;Aksu, 2018b;Albuz & Demı̇rel, 2019;Altınsoy, 2019;Arıcı, 2011;Baz, 2019;Demirtaş, 2022;Güven, 2019;Güven, 2020;Güven & Çelenk, 2020;İçöz, 2023;Köroğlu, 2013;Ökdem, 2022;Özer & Onuray Eğı̇lmez, 2022;Şahin & Toraman, 2014;Toraman, 2013;Umuzdaş & Levent, 2012). These evaluations primarily centered on the primary music curricula (Keçeci, 2018;Şahin & Toraman, 2014;Yıldırım, 2013) and predominantly scrutinized aspects such as comparisons Upon thorough review of the literature, it was noted that only two studies (Altınsoy, 2019;Köroğlu, 2013) conducted between 2011 and 2023 employed a music curriculum evaluation model, both utilizing the Context, Input, Process, Product (CIPP) model.…”