3D Reconstruction from 3D Cultural Heritage Models

Callet, Patrick Le

doi:10.1007/978-3-662-44630-0_10

Cited by 9 publications

(2 citation statements)

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“…Furthermore, within the studies that do focus on reproductions of CH, there still is a division between digital versus physical methods of replication [Di Giuseppantonio Di Franco et al 2018;Neumüller et al 2014;Lowe 2020]. Studies that do analyze multiple technologies are mainly invested in establishing the "dos and don'ts" of experimenting with a method of 3D reproduction, studying technical limits, and often do not offer a deep investigation of the impact these technologies have on our perception of art or on the sense of authenticity, or "aura," we experience when interacting with art [Callet 2014].…”

Section: :5mentioning

confidence: 99%

3D Reproductions of Cultural Heritage Artifacts: Evaluation of Significance and Experience

Malik

Tissen

Vermeeren

2021

SDH

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3D digitization of cultural heritage has long been used to preserve information about cultural heritage (CH) objects such as architecture, art, and artifacts. 3D dissemination of CH objects through technologies such as augmented reality, virtual reality, and 3D printing have impacted the fields of art history and cultural heritage and have become more common. Yet, studies that go beyond the technical aspects of 3D technology and treat such topics as their significance for restoration, conservation, engagement, education, research, and ethics hardly exist. The aim of this paper is twofold: on the one hand, it aims to get a better understanding of the applicability of each technology for different purposes (education, research, conservation/restoration, and museum presentation), and, on the other hand, it focuses on the perception of these technologies. This research was carried out by combining a literature review with quantitative and qualitative analyses of the data acquired through (1) a questionnaire of eleven questions and (2) a workshop with a group of specialists and non-specialists who were asked to brainstorm about the different uses of the 3D technologies and their applicability to their areas of work and research. Based on the analysis of these quantitative and qualitative data, we provide some criteria for using 3D digitized and printed reproductions to enhance cultural experiences. The results demonstrate the importance of carefully designing 3D interactions in the personal and cultural contexts of end-users and cultural institutions in order to create authentic cultural experiences.

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Section: :5mentioning

confidence: 99%

3D Reproductions of Cultural Heritage Artifacts: Evaluation of Significance and Experience

Malik

Tissen

Vermeeren

2021

SDH

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“…), a special care needs to be taken when processing the data sets provided by the shape acquisition tools (clouds of points, images, etc. ), as data format, accessibility and availability, and computing and storing resources become very important challenges [5].…”

Section: D Acquisitionmentioning

confidence: 99%

3D Reconstruction as a Service – Applications in Virtual Cultural Heritage

Machidon

Postelnicu

Gîrbacia

2016

Lecture Notes in Computer Science

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Abstract. As Virtual Reality (VR) expands its application range in various domains, one area that benefits more and more from VR implementation is cultural heritage. This synergy has created a new research subject: virtual cultural heritage, with specific challenges and with the key issue being to reconstruct the 3D virtual model of a real cultural artefact or item. We propose that by transcending the classic 3D reconstruction instruments to online services available remotely these newly appeared challenges can be properly addressed and the 3D reconstruction process will gain in accessibility and availability for a wider range of scientists, researchers and users. This paper presents an original implementation of such 3D reconstruction services that create virtual models based on data obtained from a 3D scanning system operating on the laser striping principle. This solution is intended to be used for digital preservation efforts of the cultural artefacts from the Brasov history museum by creating a digital archive with their 3D virtual models.

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Rich Semantics for Interactive 3D Models of Cultural Artifacts

Sikos

2016

Communications in Computer and Information Science

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3D Reconstruction from 3D Cultural Heritage Models

Cited by 9 publications

References 1 publication

3D Reproductions of Cultural Heritage Artifacts: Evaluation of Significance and Experience

3D Reproductions of Cultural Heritage Artifacts: Evaluation of Significance and Experience

3D Reconstruction as a Service – Applications in Virtual Cultural Heritage

Rich Semantics for Interactive 3D Models of Cultural Artifacts

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