2018
DOI: 10.1016/j.tsc.2018.03.007
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A comprehensive method for the measurement of everyday creativity

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Cited by 43 publications
(42 citation statements)
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“…Observing the specific behaviors and personality traits of innovators, and understanding how these traits differ from those of non-creative individuals, has been the focus of many empirical studies over the past few decades (Amabile 1988;Dyer et al 2011;Fürst and Grin 2018;Kandemir and Kaufman 2019;Keller and Holland 1978). Traits such as imagination, interests in aesthetics, openness and intellect (Fürst and Grin 2018;Woo et al 2017), along with personal initiative and social competence (Keller and Holland 1983;Keller 2017) have been associated with innovative behaviors and creative outcomes.…”
Section: Literature Reviewmentioning
confidence: 99%
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“…Observing the specific behaviors and personality traits of innovators, and understanding how these traits differ from those of non-creative individuals, has been the focus of many empirical studies over the past few decades (Amabile 1988;Dyer et al 2011;Fürst and Grin 2018;Kandemir and Kaufman 2019;Keller and Holland 1978). Traits such as imagination, interests in aesthetics, openness and intellect (Fürst and Grin 2018;Woo et al 2017), along with personal initiative and social competence (Keller and Holland 1983;Keller 2017) have been associated with innovative behaviors and creative outcomes.…”
Section: Literature Reviewmentioning
confidence: 99%
“…This agreement might have led to a decreased interest in understanding new ways to classify creative individuals, beyond the well-known classifications of innovators, early adopters, lighthouse customers, early majority and so forth (Rogers et al 2019). The diffusion of innovation theory proposed by Rogers (1962) as well as the exploration of various traits including the so-called DNA of innovators (Amabile 1996;Dyer et al 2011;Fürst and Grin 2018) represent important contributions to understand what makes some people more creative and innovative than others. The focus has then moved to the study of the collective efforts of teams in the innovation process, from early studies on communities of practice (Wenger 1998) to collaborative innovation networks (Gloor 2006).…”
Section: Introductionmentioning
confidence: 99%
“…In this study, we employed: (1) the Ten Items Personality Inventory (Gosling et al, 2003), which includes the Big-Five factors extraversion, emotional stability, agreeableness, openness and conscientiousness, of which extraversion and openness have been associated with exploratory behaviour and increased dopamine release in the ventral tegmental area (Ashby et al, 1999;Depue and Collins, 1999b;Panksepp, 1999), being considered a good predictor of creativity (Batey and Hughes, 2017;Hughes et al, 2013;Peterson et al, 2002). Furthermore, Big-Five personality traits, especially openness and extraversion have been directly linked to creative behaviour, especially novelty seeking (Agnoli et al, 2016;Csikszentmihalyi, 1996;De Fruyt et al, 2000; Fürst and Grin, 2018;Gocłowska et al, 2018;Halder et al, 2017;Nakaya et al, 2006;Singh and Kaushik, 2015b;Strobel et al, 1999;Welsh, 1975). 2The Mindset Questionnaire by Dweck et al (1995b) in order to measure the individual's motivation on being creative, (3) the Runco Ideational Behaviour Scale (Runco et al, 2001), which is the most important scale for measuring day-to-day creativity.…”
Section: Accepted Manuscriptmentioning
confidence: 99%
“…Multiple questions, problems and challenges structure a complex of possible lines in the investigation of creativity. According to Türst and Grin (2018), the field of creativity research is based on four main questions: the first, refers to creativity levels (Big-C, small-c mini-c, and Pro-C); the second, to the distinctions between potential and achievement; the third, to the debate between general and specific domains; and the last, to the differences between person, process, product and environment.…”
Section: Everyday Creativitymentioning
confidence: 99%