2009
DOI: 10.1177/1474474009105052
|View full text |Cite
|
Sign up to set email alerts
|

A mall for all? Race and public space in post-apartheid Cape Town

Abstract: This article analyses post-apartheid public spaces through social and spatial practices at the Victoria & Alfred (V&A) Waterfront mall in Cape Town. Our empirical evidence suggests that these public spaces involve much more than just consumption patterns, as they sustain and support novel ways of asserting social identities in a new political situation. These changes are, however, quite complex and fraught with ambivalence. Consequently, we scrutinize how race is staged in that space, and how racial diversity … Show more

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
1
1
1
1

Citation Types

0
49
0
5

Year Published

2010
2010
2022
2022

Publication Types

Select...
3
3
3

Relationship

0
9

Authors

Journals

citations
Cited by 79 publications
(54 citation statements)
references
References 30 publications
0
49
0
5
Order By: Relevance
“…Malls' common location near traditional markets or poor communities there allows the poor to access them by foot or public transit (Abaza 2001;Sabatini and Arenas 2000). Poor people in Cape Town, South Africa, and Mumbai, India, have gained access to malls over time (Anjaria 2008;Houssay-Hozschuch and Teppo 2009). Even in the United States, developers have created open-air malls or streetscapes adjacent to malls because of enclosed malls' declining popularity (Berger 2005).…”
Section: Malls As Instruments Of Social Segregationmentioning
confidence: 99%
“…Malls' common location near traditional markets or poor communities there allows the poor to access them by foot or public transit (Abaza 2001;Sabatini and Arenas 2000). Poor people in Cape Town, South Africa, and Mumbai, India, have gained access to malls over time (Anjaria 2008;Houssay-Hozschuch and Teppo 2009). Even in the United States, developers have created open-air malls or streetscapes adjacent to malls because of enclosed malls' declining popularity (Berger 2005).…”
Section: Malls As Instruments Of Social Segregationmentioning
confidence: 99%
“…They play a part in making products and services meaningful to us, and are thereby implicated in deciding what counts as "the good life" (Brodin 2007, Peñaloza 1999, Arnould et al 2001. Retail practice and spaces are involved in defining the beauty ideal and gender roles (Pettinger 2004, Pettinger 2005, and they sometimes work to reproduce racism and class oppression (Friend andThompson 2003, Houssay-Holzschuch andTeppo 2009). However, retail practices and spaces can also be used to express love (Miller 1998), work to promote sustainable consumption (Fuentes 2011), or simply be a way to enjoy oneself (Bäckström 2011).…”
Section: Resultsmentioning
confidence: 99%
“…Malls and other retail spaces are often used as social spaces where relationships are maintained and in which sociability plays an important role (Haytko andBaker 2004, Sandikci andHolt 1998). Also, shopping is often connected to the enactment of gender roles Crewe 1998, Pettinger 2005) and can furthermore be a way to renegotiate ethnic identities and categories , Friend and Thompson 2003, Houssay-Holzschuch and Teppo 2009, Varman and Belk 2012.…”
Section: Conceptual Domain: New Theoretical Perspectives On Retailmentioning
confidence: 99%
“…Especially in the postcolonial context of growing African urbanities, the mall is meant to provide an enclosed and safe space for the bold display and open performance of new "hard-won" modern identities based on new articulations of race, class, and gender relations. 140 In this sense, "the transformation of the mall from a space of goods exchange to a space marked by the consumption of lifestyle, entertainment, and culture has been explained as a change in the way status is socially defined." 141 In such ways, a variety of "cultural and symbolic signifiers are attached to goods so that consumption becomes related to identity and to social stratification."…”
Section: The Spectacle Of Consumption: a Carnival Of Contested Identimentioning
confidence: 99%