2011
DOI: 10.5430/wjel.v1n2p43
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A Native American Girl’s Coming of Age in Louise Erdrich’s The Porcupine Year

Abstract: Louise Erdrich, one of the most renowned Native American authors of our time, writes a female Bildungsroman in The Porcupine Year, a sequel to The Birchbark House and The Game of Silence. The story follows the 12-year-old Native American girl Omakayas as she makes the journey from childhood toward womanhood during the porcupine year, the year named for her younger brother's medicine animal. During this year that Omakayas travels with her family, looking for a new home after being forced off their land, she wil… Show more

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Cited by 3 publications
(3 citation statements)
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“…In sum, the genre is about a youth as a protagonist venturing in a journey to educate and develop her/himself, as well as to broaden her/his horizon with new experiences and new values s/he encounters within the society where s/he lives, in order for find her/his own position in the society as an adult. In its course of development, the genre has come to include female protagonists and even minority groups (Braendlin, as cited in Chang et al, 2011). Thus, this genre is very suitable for teaching character development, especially to college students.…”
Section: Bildungsroman Definedmentioning
confidence: 99%
“…In sum, the genre is about a youth as a protagonist venturing in a journey to educate and develop her/himself, as well as to broaden her/his horizon with new experiences and new values s/he encounters within the society where s/he lives, in order for find her/his own position in the society as an adult. In its course of development, the genre has come to include female protagonists and even minority groups (Braendlin, as cited in Chang et al, 2011). Thus, this genre is very suitable for teaching character development, especially to college students.…”
Section: Bildungsroman Definedmentioning
confidence: 99%
“…From an Indigenous perspective, storytelling can come through the lived experiences of the people and their place, or through spiritual helpers, as described in the original legends or teachings of the people. These legends or teachings are often intertwined with a vivid imagination, full of emotional response and highly therapeutic; but, more often than not, it can be problematic to allow for the skill of spirit and/or moral development to evolve within the listener (Chang, Chou, & Yang, 2011;Spaulding, 2010;Weeks, 2009). According to Koch (1998), storytelling is a lived process designed to facilitate change, whether internal or external, within an individual, family, community, nation or environment.…”
Section: Storytelling As Indigenous Knowledgementioning
confidence: 99%
“…Fortunately, in its course of development, the genre has come to include female protagonists and even minority groups, such as the case in the contemporary American literature Braendlin (as cited in Chang et al, 2011), and that ethnic women writers have created a new Bildungsroman as a medium by which they can assert their own identity, instead of shaping the identity imposed by the patriarchal system. The emergence of female protagonists from the minority groups has enriched the repertoire of Bildungsroman, and in the case of character education, heightened its possibility to be used to teach character education.…”
Section: Bildungsroman Definedmentioning
confidence: 99%