A Percepção Estética Na Fenomenologia De Dufrenne: Contribuições Possíveis Para a Psicologia

Milhorim, Thaís Kristine; Telles, Thabata Castelo Branco

doi:10.4025/psicolestud.v23i0.39000

Cited by 3 publications

(2 citation statements)

References 5 publications

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“…Este aspecto longitudinal promovido pela protensão envolve um senso projetivo, em que eu não apenas antecipo o que pode vir a acontecer mas, mais ainda, o que eu vou fazer em determinada situação. Este processo se dá de modo semelhante ao da imaginação, em que se antecipa o real para que seja possível se vislumbrar os seus possíveis (Milhorim & Telles, 2018). Aqui, no caso do corpo a corpo do combate, antecipam-se ações motoras possíveis no intuito de surpreender o outro.…”

Section: Da Escolha Do Adversário Ao Dia Do Espetáculo: Camp Pesagem Octógonounclassified

Corpo a corpo: um estudo fenomenológico no karate, na capoeira e no MMA

Telles¹,

Barreira²,

Bimnenet³

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This work consists of a phenomenological study in karate, capoeira and MMA, in which the fight is anchored in the philosophical perspective of M. Merleau-Ponty. In the field of psychology, one historically perceives a privilege to the mental processes, putting the discussions on the body in a secondary place. More specifically, in sports psychology, the most traditional writings and practices are based in an objective and technicalistic look at the body. In this sense, phenomenology is considered as a strong ally for a perspective that emphasizes the body as the main topic of the combative processes. It is proposed here the analysis of three distinct fights -karate, capoeira and MMA. These ones were chosen as an attempt to consider subjectively and culturally distinct understandings of a fight, as identified in the literature. In this sense, this study aims to understand the body to body process in combat, from the experience of karate, capoeira and MMA practitioners, paying attention to the psychological and cultural processes concerning the lived constitution in the practice of each of these modalities. Semi-structured interviews were conducted with karate, capoeira and MMA practitioners, with at least 5 years of practice and who had already taught or competed in the modality. These data were analyzed from a phenomenological perspective, searching for a structure for the fight in each of these modalities. Karate fight was unfolded in an attentive wait of the best way to strike the other with a decisive hit; as well as in the notion of distance, which is fundamental since its origins. In the case of capoeira, its strong relation with the music and with the Afro-Brazilian culture and history is emphasized, in which the fight appears through movements that resemble a dance. In the case of MMA, the combat brings strong individualistic appeal, seeming to correspond to Western and contemporary ideals, as each athlete makes his/her own game, the way he/she feels more at ease and in accordance with what is required to win each opponent. These results highlight distinctions in the three modalities in question, but also point to similarities, indicating a structure which can be understood as the body to body in combat. We consider its fundamental aspects, mainly through the lens of Merleau-Pontyan phenomenology, if we turn to the notions of body, movement, perception, action and habit. As a dialogue with sports psychology, gender issues are discussed in the field of martial arts & combat sports, as well as the processes of prohibition and sportization concerning karate, capoeira and MMA. It concludes with the proposition of an attentive regard to the body and its movements, through a look and listening which not ends in theoretical assumptions and interpretative frameworks. This is fundamentally about the insistence on a process of constant elucidation, especially in relation to the body to body in combat.

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Section: Da Escolha Do Adversário Ao Dia Do Espetáculo: Camp Pesagem Octógonounclassified

Corpo a corpo: um estudo fenomenológico no karate, na capoeira e no MMA

Telles¹,

Barreira²,

Bimnenet³

Self Cite

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“…Entre os autores que receberam influência direta da Fenomenologia, Grene (1952) destaca que o tema da autenticidade ganha um estatuto de valor moral a partir das obras de Martin Heidegger e Jean Paul Sartre. Eles seriam os autores que, inclusive no cenário brasileiro, estão entre os mais difundidos em termos da discussão desse tema (Feijoo, 2000;Angerami-Camon, 2002;Lima, 2008;Gonçalves, Fróes Garcia, de Barros Dantas & Ewald, 2008;Moreira, 2010). Enquanto Heidegger destacava que a autenticidade é vivida quando o Dasein está diante da cotidianidade e da própria morte, Sartre ressaltava que é a maneira como o sujeito assume a sua liberdade diante do nada que configuraria uma existência autêntica.…”

Section: Fenomenologia Autenticidade E Corporeidadeunclassified

Autenticidade e corporeidade na psicologia fenomenológica de Edith Stein

Júnior¹,

Barreira²

2023

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Neural Correlates of Music Listening: Does the Music Matter?

2021

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The last decades have seen a proliferation of music and brain studies, with a major focus on plastic changes as the outcome of continuous and prolonged engagement with music. Thanks to the advent of neuroaesthetics, research on music cognition has broadened its scope by considering the multifarious phenomenon of listening in all its forms, including incidental listening up to the skillful attentive listening of experts, and all its possible effects. These latter range from objective and sensorial effects directly linked to the acoustic features of the music to the subjectively affective and even transformational effects for the listener. Of special importance is the finding that neural activity in the reward circuit of the brain is a key component of a conscious listening experience. We propose that the connection between music and the reward system makes music listening a gate towards not only hedonia but also eudaimonia, namely a life well lived, full of meaning that aims at realizing one’s own “daimon” or true nature. It is argued, further, that music listening, even when conceptualized in this aesthetic and eudaimonic framework, remains a learnable skill that changes the way brain structures respond to sounds and how they interact with each other.

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A Percepção Estética Na Fenomenologia De Dufrenne: Contribuições Possíveis Para a Psicologia

Cited by 3 publications

References 5 publications

Corpo a corpo: um estudo fenomenológico no karate, na capoeira e no MMA

Corpo a corpo: um estudo fenomenológico no karate, na capoeira e no MMA

Autenticidade e corporeidade na psicologia fenomenológica de Edith Stein

Neural Correlates of Music Listening: Does the Music Matter?

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