2015
DOI: 10.1016/j.jeap.2015.05.006
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A short cartography of genre studies in Brazil

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Cited by 20 publications
(7 citation statements)
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“…In this article, we use social semiotic analysis of multimodal texts to explore a number of different strategies used in the museum which facilitate engagement, and argue that these strategies need to be understood as something more than simply enabling 'interaction'. We are thus aligned with researchers in Applied Linguistics who recognize the relevance of new media and the interaction of different semiotic resources in meaning-making (DIAS, 2012;ZACCHI, 2009;HEBERLE, 2012;NASCIMENTO, BEZERRA;HEBERLE, 2011;MOTTA-ROTH;HEBERLE, 2015). We introduce the museum and the social-semiotic tools used to analyse it, then apply these tools to each of the three levels/floors of the museum, arguing that while each level is strongly differentiated and has its own strategies for engagement, the three are also brought together to make a unified whole, resulting in a highly satisfying experience for visitors.…”
Section: Introductionmentioning
confidence: 89%
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“…In this article, we use social semiotic analysis of multimodal texts to explore a number of different strategies used in the museum which facilitate engagement, and argue that these strategies need to be understood as something more than simply enabling 'interaction'. We are thus aligned with researchers in Applied Linguistics who recognize the relevance of new media and the interaction of different semiotic resources in meaning-making (DIAS, 2012;ZACCHI, 2009;HEBERLE, 2012;NASCIMENTO, BEZERRA;HEBERLE, 2011;MOTTA-ROTH;HEBERLE, 2015). We introduce the museum and the social-semiotic tools used to analyse it, then apply these tools to each of the three levels/floors of the museum, arguing that while each level is strongly differentiated and has its own strategies for engagement, the three are also brought together to make a unified whole, resulting in a highly satisfying experience for visitors.…”
Section: Introductionmentioning
confidence: 89%
“…CHING, 2007;FORTY, 2000;HERTZBERGER, 2005;LEACH, 2010, UNWIN, 2009. As multimodal, communicative resources, spatial texts have been analysed by a number of scholars, including Bowcher and Yameng Liang (2014), McMurtrie (2011;2013), O'Toole (2004), Ravelli (2000, Ravelli and McMurtrie (2016), Stenglin (2004;2009), van Leeuwen (2008 and Ventola (2011), among others. These approaches are characterized by taking a social semiotic approach to communication, exemplified in the work of Michael Halliday on language (HALLIDAY, 1978;HALLIDAY;MATTHIESSEN, 2014) (BATEMAN, 2008;NORRIS, 2004;O'HALLORAN et al, 2011), it is the approach of Kress and van Leeuwen (2006) which underpins the analysis presented here.…”
Section: Introductionmentioning
confidence: 99%
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“…The concept of genre that underlines this study foregrounds the inextricable relationship between text and context (SWALES, 1990;BAZERMAN, 2005;MOTTA-ROTH, 2008;MOTTA-ROTH;HEBERLE, 2015) and allows one to see genre as "socially situated practices" (PALTRIDGE, 2013, p. 354). Consequently, a genre can be described as "language use constitutive of and constituted by social activities, as a relatively stable communicative occurrence with specific purposes in specific sociocultural contexts" (MOTTA-ROTH; HEBERLE, 2015, p. 2).…”
Section: Theoretical Perspectives On Espmentioning
confidence: 98%
“…Nevertheless, my analysis was not a decontextualized one, I was limited to the fictitious context of the show as Chart 3 pointed out. Future and broader studies should find ways to consider the actual context of production, distribution and consumption of AHS or of any other posters in order to be more aligned to Social Semiotics or other contextual perspectives such as Critical Genre Analysis(MOTTA-ROTH, 2008;MOTTA- ROTH;HEBERLE, 2015).…”
mentioning
confidence: 99%