2007
DOI: 10.3758/bf03192929
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Adaptation effects of highly familiar faces: Immediate and long lasting

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Cited by 71 publications
(147 citation statements)
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References 41 publications
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“…However, as Leopold and Bondar (2005) pointed out, adaptation to any visual stimulus is likely to affect neurons in not only the early stages but also the intermediate and late stages of the visual pathway, all of which may contribute to the aftereffect in one way or another. Such higher level contributions are also suggested by more recent findings in adaptation research based on the use of more complex stimuli, for example, natural images (Webster & Miyahara, 1997), artworks (Carbon, Ditye, & Leder, 2007;Carbon & Leder, 2006), body parts (Kovacs et al, 2006), and not least, faces (e.g., Carbon, Strobach, et al, 2007;Leopold, O'Toole, Vetter, & Blanz, 2001;Webster & MacLin, 1999). Faces are objects of tremendous social importance whose stimulus dimensions are subject to higher cognitive processing and usually cannot be found (or tested) in simpler visual materials (e.g., identity, emotional expression, attractiveness).…”
Section: Figural Aftereffectsmentioning
confidence: 81%
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“…However, as Leopold and Bondar (2005) pointed out, adaptation to any visual stimulus is likely to affect neurons in not only the early stages but also the intermediate and late stages of the visual pathway, all of which may contribute to the aftereffect in one way or another. Such higher level contributions are also suggested by more recent findings in adaptation research based on the use of more complex stimuli, for example, natural images (Webster & Miyahara, 1997), artworks (Carbon, Ditye, & Leder, 2007;Carbon & Leder, 2006), body parts (Kovacs et al, 2006), and not least, faces (e.g., Carbon, Strobach, et al, 2007;Leopold, O'Toole, Vetter, & Blanz, 2001;Webster & MacLin, 1999). Faces are objects of tremendous social importance whose stimulus dimensions are subject to higher cognitive processing and usually cannot be found (or tested) in simpler visual materials (e.g., identity, emotional expression, attractiveness).…”
Section: Figural Aftereffectsmentioning
confidence: 81%
“…Distortion intervals were two pixels for Versions -1 to -4 (or ϩ1 to ϩ4, respectively); another step of 10 pixels was added in Versions -5 and ϩ5 to create particularly large distortions. Similar techniques have been used in other face adaptation or priming studies Carbon, Strobach, et al, 2007;Faulkner, Rhodes, Palermo, Pellicano, & Ferguson, 2002;Robbins et al, 2007); see Figure 1A for an illustration. Each celebrity was randomly allocated to one of three stimulus sets corresponding to the three levels of adaptation transfer: picture, identity, and novel.…”
Section: Experiments 1 Methodsmentioning
confidence: 99%
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“…For example, Carbon et al (2007) used an adaptation paradigm similar to Webster and MacLin's (1999), but with famous faces. They found that adaptation to a distorted famous face affected the subsequent perception of an undistorted image of that individual, be it the same or a different image.…”
Section: Introductionmentioning
confidence: 99%