2012
DOI: 10.1080/10632913.2012.719419
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Aesthetic Teaching: Seeking a Balance between Teaching Arts and Teaching through the Arts

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Cited by 32 publications
(15 citation statements)
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“…Such relationships can be described in terms of stronger or weaker positional and relational autonomy by which various modalities of arts integration may be defined, such as when non-arts subject matter is taught with or through the arts; or vice-versa, where diverse disciplines are used for teaching the arts cf. Goering & Strayhorn, 2016;Lindström, 2012;Sotiropoulou-Zormpala, 2012). If arts integration is become a significant part of general pedagogy in all school subjects, the autonomy of disciplines and the relative boundaries between school subjects need to be made less rigid.…”
Section: The Curriculum and The Issue Of Autonomymentioning
confidence: 99%
See 1 more Smart Citation
“…Such relationships can be described in terms of stronger or weaker positional and relational autonomy by which various modalities of arts integration may be defined, such as when non-arts subject matter is taught with or through the arts; or vice-versa, where diverse disciplines are used for teaching the arts cf. Goering & Strayhorn, 2016;Lindström, 2012;Sotiropoulou-Zormpala, 2012). If arts integration is become a significant part of general pedagogy in all school subjects, the autonomy of disciplines and the relative boundaries between school subjects need to be made less rigid.…”
Section: The Curriculum and The Issue Of Autonomymentioning
confidence: 99%
“…Aesthetic aspects may be important for making interconnections between subjects and "to investigate the unknown and re-evaluate what is already assumed to be known" (Wester & Wolfe, 2013, p. 23). Researches have also stressed the importance of aesthetic teaching and learning as aspects of pedagogy characterized by communicative interactions, experience-based learning, embodied knowing, and culture-oriented prepositions (Eisner, 2004;Hobbs, 2012;Leonard, Hall & Herro, 2016;Sotiropoulou-Zormpala, 2012;Uhrmacher, 2009).…”
Section: Introductionmentioning
confidence: 99%
“…In the research referred to in this section, it was made clear that it is desirable to have aesthetic experiences as a central part of any educational procedure, since they contribute to learning in a unique way. In this spirit, a situation that seems to provide more opportunities to undergo aesthetic experiences in school is with "aesthetic teaching" (Granger, 2006;Johnson, 2007;Macintyre-Latta, 2004;Pike, 2004;Sotiropoulou-Zormpala, 2012b). In using aesthetic teaching, arts provide a means with which pupils can approach every lesson in an aesthetic way.…”
Section: Environments For School Aesthetic Activitiesmentioning
confidence: 99%
“…U istraživanju na koje se pozivamo u ovom dijelu jasno je da su estetska iskustva poželjna kao središnji dio edukacijskog procesa jer pridonose učenju na jedinstven način. U tom svjetlu situacija koja naoko pruža više mogućnosti za estetsko iskustvo u školi nastaje s ,,estetskom nastavom" (Granger, 2006;Johnson, 2007;Macintyre-Latta, 2004;Pike, 2004;Sotiropoulou-Zormpala, 2012b). Putem te vrste nastave umjetnost nudi učenicima sredstvo kojim mogu pristupiti svakom nastavnom satu na estetski način.…”
Section: šKolske Sredine Za Estetske Aktivnostiunclassified
“… Να δίνουν τη δυνατότητα αισθητικής επεξεργασίας της πραγματικότητας (Iser, 1978˙ Pike, 2004˙ Rosenblatt, 1938˙ Sotiropoulou-Zormpala, 2012a, 2012b.…”
Section: Oφέλη κατά τη διδασκαλία της γλώσσας μέσω τέχνηςunclassified