Aesthetical Transformation of Ramayana Performing Arts in Indonesia and Thailand

Hidajat, Robby; Pujiyanto, Pujiyanto; Jamnongsam, Surasak; Hasyimy, Muhammad Afaf

doi:10.18502/kss.v5i3.8550

Cited by 6 publications

(8 citation statements)

References 3 publications

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“…In this context, the artists involved in the performance, especially in the Uluwatu Temple environment, seem to bring a deeper dimension than simply entertaining the audience. They present a significant ritual element, which gives a new dimension to the performance (Hidajat, Prastiawan, et al, 2021) One aspect that attracts attention is the involvement of 'Traditional Custodian' in organizing this show. The question arises as to why Traditional Custodian or religious figures are involved in performing arts.…”

Section: Introductionmentioning

confidence: 99%

Transcendental Communication of Traditional Custodian in the Kecak Ramayana Performing Arts in Uluwatu Bali

Hidajat,

Pujiyanto,

EW. Suprihatin DP

et al. 2023

j. gov. soc. politicol.

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This article is the result of research on the transcendental communication of traditional leader in the Kecak Ramayana performance art in Uluwatu Bali. Traditional Custodian are Hindu religious leaders who are included in the presentation of the Kecak Ramayana. This customary leader does not exist in the new play of the Ramayana story. But his role is very important because he works outside and backstage. The purpose of this study is to reveal spiritual communication carried out by Traditional Custodian in the performance of the Kecak Ramayana dance in Uluwatu. This research method uses qualitative discrete. Data collection techniques used interviews with 4 sources, direct observation when the show was in progress, and retrieval of documentation to strengthen verbal data. The theories used in this research are ritual communication theory, non-verbal communication theory, and transcendental communication theory. The results of the study show patterns of spiritual communication that are customary stakeholders, namely (1) customary stakeholders as a link between the dimensions of the outer (profane) and inner (sacred) stages, (2) stakeholders carry out a reciprocal ritual, and (3) Traditional Custodian as a symbol of transcendental communication between the players, the audience, and Sang Hyang Widiwasa.

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Section: Introductionmentioning

confidence: 99%

Transcendental Communication of Traditional Custodian in the Kecak Ramayana Performing Arts in Uluwatu Bali

Hidajat,

Pujiyanto,

EW. Suprihatin DP

et al. 2023

j. gov. soc. politicol.

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“…The Management of Ramayana Tourism Performing Arts in Indonesia and Thailand [4].…”

Section: Introductionmentioning

confidence: 99%

The Aesthetics of the Hanoman Character in the Performing Arts of the Indonesia-Thailand Ramayana Stories

Hidajat

Pujiyanto

Hartono

et al. 2021

KSS

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This article explains the aesthetics of the Hanoman character in the performing arts of the Indonesia-Thailand Ramayana stories. Ramayana stories are written by Valmiki from India, and Hanoman is described as a “white monkey” in these stories. Indonesia and Thailand are two states in Southeast Asia where the characters in the Ramayana stories undergo the so-called adaptation process. Hanoman is one of the characters. Therefore, the objective of this research was to describe the aesthetics of the Hanoman character in the context of performing arts. Qualitative descriptive methods were used. Data were collected through interviews with key informants and observations of Ramayana legacies in Indonesia and Thailand. The results show that the aesthetics of the Hanoman character are created from the image of local wisdom that is influenced by the spiritual mentality of Hinduism. Keywords: adaptation process, performing arts, spiritual mentality

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“…Those that remain with the company may often feel demotivated thus decreasing in productivity and job satisfaction. Thus, this study become important to know the pattern of turnover Proceedings of the First Australian International Conference on Industrial Engineering and Operations Management, Sydney, Australia, December 20-22, 2022 © IEOM Society International intention so that necessary proactive steps and preventive action should be taken to tackle this critical issue Hidajat et al, 2021).…”

Section: Literature Reviewmentioning

confidence: 99%

Analysis of Factors that Influence Employee Performance Dissatisfaction at UD Tito Medan

Proceedings of the International Conference on Industrial Engineering and Operations Management

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The objective of this research is to know the employee satisfaction at UD. TITO Medan. Job satisfaction is the feeling of pleasure and achievement that the employees experience in their job and when they know that their work is worth doing. Employee's satisfaction is taking control in advancing a company. The employee's turnover is high then the company may be experiencing a slowdown in advancing the company. The indicators of this researcher are turnover, absenteeism, age, job level, and the size of the organization. In determining the data resources, this research is using purposive sampling technique. Data collection method is using structure interview to four employees of UD. TITO Medan in marketing department and have been work for 5 years. This Jurnal used Miles and Huberman models of data analysis and used source triangulation. Through the research above it can be known that the employees of UD. TITO Medan feel dissatisfied. The low incentive, less reward for the employee achievement and delayed the incentive that make the employee feel dissatisfied. Meanwhile things to do for the progress of the company in the future, the researcher give some recommendation to the company. The recommendations are the company should give more reward for the employee's achievement, give a chance for the employees to give their suggestion and idea, give quota of annual leave and make company policy.

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Aesthetical Transformation of Ramayana Performing Arts in Indonesia and Thailand

Cited by 6 publications

References 3 publications

Transcendental Communication of Traditional Custodian in the Kecak Ramayana Performing Arts in Uluwatu Bali

Transcendental Communication of Traditional Custodian in the Kecak Ramayana Performing Arts in Uluwatu Bali

The Aesthetics of the Hanoman Character in the Performing Arts of the Indonesia-Thailand Ramayana Stories

Analysis of Factors that Influence Employee Performance Dissatisfaction at UD Tito Medan

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