Alternative Dispute Resolution and Insights on Cases of Greek Cultural Property: The J.P. Getty Case, the Leon Levy and Shelby White Case, and the Parthenon Marbles Case

Stamatoudi, Irini A.

doi:10.1017/s0940739116000291

Cited by 5 publications

(3 citation statements)

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“…18. 55 As described in Stamatoudi 2016, 449. 56 ICPRCP 2021b 3 (referring to the previous 16 recommendations, to which Recomendation no.…”

Section: Summary Of the Relevant Outcomesmentioning

confidence: 97%

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The past, present: The Parthenon Sculptures dispute as an example of the ICPRCP’s role on claims barred by the non-retroactivity of the 1970 UNESCO Convention

Haertel

2021

Int J Cult Prop

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This article analyzes the role played by the Intergovernmental Committee for Promoting the Return of Cultural Property to Its Countries of Origin or Its Restitution in Case of Illicit Appropriation (ICPRCP) in promoting the settlement of disputes barred by the non-retroactivity of the 1970 UNESCO Convention through an assessment of its impact on the dispute between Greece and the United Kingdom over the Parthenon Sculptures. The analysis first focuses on the ICPRCP’s regular mandate, followed by an evaluation of some “collateral effects” that it might have had on the dispute. Through the examination of all reports, recommendations, and decisions issued by the ICPRCP and the performance of a wider interdisciplinary case study, it is argued that the ICPRCP has had an impact on the dispute, both directly and indirectly. The value of these conclusions is to shed light on the complex factors in interplay in voluntary and non-binding dispute settlement mechanisms such as the ones performed by the ICPRCP and to represent a framework for further studies on the ICPRCP’s work and alternative dispute resolution methods in general.

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“…18. 55 As described in Stamatoudi 2016, 449. 56 ICPRCP 2021b 3 (referring to the previous 16 recommendations, to which Recomendation no.…”

Section: Summary Of the Relevant Outcomesmentioning

confidence: 97%

“… 5 Some of the states’ impressions were collected in United Nations Educational, Scientific and Cultural Organization (UNESCO) 2014; see also Stamatoudi 2016, 346. …”

mentioning

confidence: 99%