An Ontology Based Framework for the Preservation of Interactive Multimedia Performances

Ng, Kia; Mikroyannidi, Eleni; Ong, Bee; Giaretta, David

doi:10.1109/e-science.2009.14

Cited by 2 publications

(2 citation statements)

References 9 publications

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“…Several frameworks and models have been proposed over the years at both the institutional and individual levels. In the early 2000s, the PLANETS (Becker, Kolar, Küng, & Rauber, 2007) and the CASPAR frameworks (Ng et al, 2009) were developed in Europe with the participation of numerous academic and research institutions. During this time period, Rinehart (2007) proposed the MANS notation system for multimedia.…”

Section: Challenges Of Digital Stewardship For Virtual Realitymentioning

confidence: 99%

“…What is known is that artistic content and metadata were considered important for new media art preservation (Ribeiro, David, & Calistru, ) as well as maintaining interactivity (Bruno, Puren, Riondet, Seillier, & Romary, ) and the actual user experience (Ng, Mikrovannidi, Ong, & Giaretta, ). Besides preserving multimedia components, Bruno et al () recommended considering additional components such as hardware and software.…”

Section: Introductionmentioning

confidence: 99%

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Lithium hindsight 360: Increasing access and ensuring preservation of virtual reality narratives

Kim

2019

Proceedings of the Association for Information Science and Tech

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This alternative event combines a virtual reality (VR) demonstration and interactive discussion to brainstorm access and preservation strategies for individual VR creators. A specific challenge to address will be how to build these considerations into the creative process rather than after the work has been completed. The Lithium Hindsight 360 medical humanities narrative will be used as the demo to raise additional questions about ethics that may not normally be present in a new media artwork.

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Section: Challenges Of Digital Stewardship For Virtual Realitymentioning

confidence: 99%

Section: Introductionmentioning

confidence: 99%

Lithium hindsight 360: Increasing access and ensuring preservation of virtual reality narratives

Kim

2019

Proceedings of the Association for Information Science and Tech

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The Intersection of Digital Humanities and Artistic Augmented/Virtual Reality Research in Hong Kong

Kim¹

2019

Digital Humanities and Scholarly Research Trends in the Asia-Pacific

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Immersive media such as augmented reality/virtual reality (AR/VR) environments are growing in popularity both globally and in Hong Kong. In the artistic research sector, these projects may or may not have systematic digital preservation, data curation, or other digital stewardship components built into the creative process. Although digital multimedia preservation has been a long-standing topic of discussion for archivists, the complexity of immersive media projects raises questions regarding best practices and ensuring future accessibility. The author proposes that artistic AR/VR research in Hong Kong could benefit from the application of digital humanities practices, whether it be for archival, research, or further artistic purposes. This chapter reviews case studies in Hong Kong academic institutions to identify existing needs and makes recommendations for incorporating digital humanities practices into the creative and project management processes.

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An Ontology Based Framework for the Preservation of Interactive Multimedia Performances

Cited by 2 publications

References 9 publications

Lithium hindsight 360: Increasing access and ensuring preservation of virtual reality narratives

Lithium hindsight 360: Increasing access and ensuring preservation of virtual reality narratives

The Intersection of Digital Humanities and Artistic Augmented/Virtual Reality Research in Hong Kong

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