Analysis of Strengthening Character Educationin Gropol Batik in Soendari Batik Gallery

Abstract

Character education is an effort to create a generation that is intelligent and has noble character and has an Indonesian personality. The success of character education in learning does not necessarily come from the perspective of the cognitive domain, but rather how to balance cognitive, affective, and psychomotor domains whose estuary is to create a complete human being, likewise with cultural values. Foreign cultural values are growing rapidly along with technological advances, which have significantly shifted local cultural values in Indonesia, one of which is batik, most people, including university students, do not know the uniqueness of local wisdom in their respective regions; this Soendari Gallery has a batik based on strengthening character education. The purpose of this study is how to analyze the content of character education contained in Grombol Batik at the Soendari Gallery. This study uses a qualitative approach with a descriptive type of research. The subject of this research is Grompol Batik from Soendari Gallery. In Grompol batik, there is a circle or oval shape, which is one of the five characters, namely mutual cooperation. Besides that kawung is also known as a symbol of strength and justice which is also one of the dai character education. It can be concluded that the Grompol batik contains character education in it. This research is expected to provide many benefits for the community and the artists.

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“…We need to know that batik was de jure recognized by UNESCO on October 2, 2009, so that it was designated as National Batik Day. Each region has its own uniqueness, there is one area that has distinctive batik, namely Tulungagung, which has penetrated the international scene (Muna Lia et al, 2016;Regina & Wijayaningputri, 2022;Tresnawati, 2018;Triwulandari, 2021) Batik is an example of this type of ethnoscience. This potential can be combined with the learning process because it has ethnochemical value (Bantul, 2021;Nazifah, 2022;Nurhayati et al, 2021).…”

Rebranding of Malangan Batik as a Symbol of Malang’s Cultural Identity through Value Chain Analysis

“…Compared to batik from other regions such as Solo and Jogja, Malangan batik is yet to be widely known, even though the aesthetic value of Malangan batik is no less interesting than batik from other regions in Indonesia [1]. The study of Elviera et al found that regional identity in various Malangan batik motifs greatly influences consumer purchasing decision [2].…”