2015
DOI: 10.1039/c5ay00072f
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Analytical chemistry in the field of cultural heritage

Abstract: This review covers the analytical developments, instrumentation and methodologies applied to the characterisation of cultural heritage materials published up until 2014.

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Cited by 127 publications
(88 citation statements)
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References 366 publications
(364 reference statements)
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“…Since the integrity of works of art and heritage objects is of a paramount concern, various physico-chemical analytical techniques have been adapted for non-destructive characterization (Madariaga 2015). These are, among others, X-ray fluorescence (XRF) spectroscopy (Guilherme et al 2008), Raman spectrometry (Bellot-Gurlet et al 2006), Fourier transformed infrared spectroscopy (FTIR) (Pradell et al 2006) and multispectral imaging (Cosentino 2014).…”
Section: Introductionmentioning
confidence: 99%
“…Since the integrity of works of art and heritage objects is of a paramount concern, various physico-chemical analytical techniques have been adapted for non-destructive characterization (Madariaga 2015). These are, among others, X-ray fluorescence (XRF) spectroscopy (Guilherme et al 2008), Raman spectrometry (Bellot-Gurlet et al 2006), Fourier transformed infrared spectroscopy (FTIR) (Pradell et al 2006) and multispectral imaging (Cosentino 2014).…”
Section: Introductionmentioning
confidence: 99%
“…According to the review or book aim, author background or specialities, it will focus on, or highlight, various aspects of the numerous facets of heritage systems or studies (for examples: Pollard and Heron 2008;Colombini and Modugno 2009;Casadio and Van Duyne 2013;Bradley 2006, 2007;Edwards and Vandenabeele 2012;Madariaga 2015;Dillmann and Bellot-Gurlet 2014).…”
Section: Issues Dealing With "Heritage Systems"mentioning
confidence: 99%
“…Forthe first time,these biosensors are used for the on-site analysis of historical materials,n amely the identification of ovalbumin and collagen in micro-extracts obtained from 0.5 mg of paint samples.A lthough sampling may damage the object and the sample itself may not be representative of an entire work of art, [17] the high complexity of the artworks often requires the use of micro-invasive and sensitive techniques for the complete identification of materials and degradation products.I no ur approach only av ery small sample (collected directly by expert conservators) is required. Forthe first time,these biosensors are used for the on-site analysis of historical materials,n amely the identification of ovalbumin and collagen in micro-extracts obtained from 0.5 mg of paint samples.A lthough sampling may damage the object and the sample itself may not be representative of an entire work of art, [17] the high complexity of the artworks often requires the use of micro-invasive and sensitive techniques for the complete identification of materials and degradation products.I no ur approach only av ery small sample (collected directly by expert conservators) is required.…”
mentioning
confidence: 99%