“…As a social practice, dissections often were sanctioned by the crown, open to the public, dramatic in dialogue (lectures in Latin), dramaturgically role specific (dissection by a barber/surgeon under the direction of the professor/speaker), and sometimes accompanied by food, music, and related “distractions” to mask the odor of the decomposing body. Outside, street vendors competed with jugglers, minstrels, and dancing bears for the attention and patronage of those additionally gathered (Brockbank, 1968; Davison, 1969; Schwarte, 2005; Schumacher, 2007; Bleeker, 2008). Over time, these theaters also took their architectural form and performance cues from the emerging popularity of more “lay” theatrics (e.g., drama, comedy, music) with the rise of the Elizabethan era's London's Rose theater (1587) and the Globe (1599); along with Renaissance Europe's Teatro Olimpico in Vicenza (1580) and the Teatro all'Antica in Sabbioneta (1590).…”