Architecture for the Commons

Sánchez, José Sánchez

doi:10.4324/9780429432118

Cited by 4 publications

(19 citation statements)

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“…[19, p. 25] Los avances en la tecnología digital, así como el Big Data consecuente, también han permitido revalorar estrategias heurísticas e intuitivas para la resolución de problemas complejos. Ya que la computadora, la inteligencia artificial y la robótica, se han convertido en medios autónomos importantes, que tienen la capacidad de recuperar información para resolver tareas inmediatamente, sin afectación en la economía de tiempo y costo [8], [18], [20], [21].…”

Section: Análisis De La Condición Semiológica Y Fenomenológica De La Arquitectura Contemporáneaunclassified

“…Esta aproximación es una de las visiones más vanguardistas del uso de la tecnología digital en la Arquitectura y fue propuesta por los arquitectos Gilles Retsin [9], [20], Philippe Morel [27], Jóse Sánchez [21], [28] en la publicación Discrete de la revista inglesa Architectural Design [9]. Es considerada por Carpo [8], [17], [18] como parte de las manifestaciones de la segunda era digital en la Arquitectura.…”

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“…También en sus discursos existe un enemigo común: la modernidad industrial y la lógica matemática diferencial como método para la resolución de problemas. Kuma aboga por recuperar los aspectos intuitivos de los procesos artesanales, y el Discretismo se apoya en las lógicas heurísticas para la solución de problemas a través de la automatización [9], [20], [21], [28], que implica procesos de inteligencia artificial y robótica como métodos característicos de la segunda era digital de la arquitectura [17], [18].…”

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Análisis de los aspectos fenomenológicos y semiológicos en la arquitectura algorítmica-paramétrica

2021

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El presente artículo hace un análisis de los aspectos fenomenológicos y semiológicos inherentes en la Arquitectura computacional. Primeramente, desarrolla un estudio descriptivo y comparativo de los aspectos fenomenológicos y semiológicos en la metodología de diseño arquitectónico, a través de las teorías de los principales arquitectos referentes en el tema. Analiza la implementación de estos aspectos en la Arquitectura Algorítmica-Paramétrica (AAP). Finalmente, propone un diagrama metodológico con su implementación. El estudio realizado distingue cualidades de mayor compatibilidad que fricción en los aspectos analizados. Ejemplifica a través de los productos arquitectónicos de Kengo Kuma y las manifestaciones vanguardistas de diseño computacional llamado Discretismo, la afinidad latente entre estos enfoques. La metodología propuesta, muestra herramientas algorítmicas para generar producciones similares a través del entorno de programación visual llamado Grasshopper.

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Section: Análisis De La Condición Semiológica Y Fenomenológica De La Arquitectura Contemporáneaunclassified

Section: Unaunclassified

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Análisis de los aspectos fenomenológicos y semiológicos en la arquitectura algorítmica-paramétrica

2021

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“…As the OOO affine author Ian Bogost says in this regard: "things can be many and various, specific and concrete, while their being remains identical." 40 This means that, in addition to the foundational activity from which it springs and that which it performs to comprise other things, an entity is the bearer of a multiplicity of articulations of its selfhood. For example, a building taken as an object in the OOO sense can arise-among many other things-from its building components, cultural milieu, and economic factors.…”

Section: Current Intellectual Landscapementioning

confidence: 99%

“…39 For Bryant: "Endo-relations constitute the internal structure of objects independent of all other objects, while exo-relations are relations that objects enter into with other objects." 40 To propose a third terminology, there are constitutive relations between the component parts of an object and cognitive relations in how that object is perceived, used, thought, felt, understood, etc. Whether or not one or another entity-for example, a human and a stone-participates in one or both types of relationality as an ingredient and/or cognizer depends on the selectivity policy of the object to which it relates (Section 2.2).…”

Section: Flat Representativitymentioning

confidence: 99%

The Ineffable and the Knowable: A Design Theory on the Double Unknown Side of the Architectural Project

Martínez¹

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Here, I simply take "classical" relative to "classicism," although Eisenman split both terms, as well as from "classic." Peter Eisenman, "The End of the Classical: The End of the Beginning, the End of the End," Perspecta 21 (1984): 156, footnote #2. 8 Peter Eisenman draws this transition as follows: "[The architect Jean-Nicolas-Louis] Durand embodies this moment of the supreme authority of reason. In his treatises, formal orders become type forms, and natural and divine origins are replaced by rational solutions to the problems of accommodation and construction." Eisenman, "The End of the Classical," 160. For Helio Piñón, the classical type in architecture is a "normative authority [...] a conventional entity, with social and historical validity," that propels a determination for mimesis. Piñón, Teoría Del Proyecto, 2006, 22, [author's translation]. 9 As Eisenman writes on the classical: "The perspective of the end thus directed the strategy for beginning.Therefore, as Alberti first defined it in Della Pittura, composition was not an open-ended or neutral process of transformation, but rather a strategy for arriving at a predetermined goal." Eisenman, "The End of the Classical," 159. 10 About the former, Eisenman claims that the nature of modernist thought entails "a displacement of the man away from the center of his world. […] Objects are seen as ideas independent of man." Eisenman, Eisenman Inside Out, 84. 11 Its extreme moment can be found in mid-twentieth century in North America with the High Modernist art critics Clement Greenberg and Michael Fried leading the scene. In architecture, it is Eisenman who pushed modernism from a formalist perspective.

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Community-driven design: Collaborative objects, community-generated content, and the expanded role of architects

Grasser-Parger

2024

International Journal of Architectural Computing

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This article explores the intersection of digital architecture, collaborative creativity, and community engagement through our conceptual framework of Collaborative Objects. By enabling a shift from user-generated content to community-generated content in architecture, this new approach promotes democratic design processes. Practical illustrations are provided through a series of public case studies—H = N Co-Doodle, H = N BLOCK, and Meta Block Linz—highlighting the versatility of the Collaborative Objects framework embedded within expanded software applications. These studies address the formal and informal consequences, opportunities, and challenges of transforming static design elements into dynamic, community driven narratives. While recognizing the challenges inherent in this paradigm shift, the article concludes by emphasizing the compelling potential for more shared, inclusive, and community-oriented design processes in the architectural field.

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Architecture for the Commons

Cited by 4 publications

References 0 publications

Análisis de los aspectos fenomenológicos y semiológicos en la arquitectura algorítmica-paramétrica

Análisis de los aspectos fenomenológicos y semiológicos en la arquitectura algorítmica-paramétrica

The Ineffable and the Knowable: A Design Theory on the Double Unknown Side of the Architectural Project

Community-driven design: Collaborative objects, community-generated content, and the expanded role of architects

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