Art and Public Space: Questions of Democracy

Deutsche, Rosalyn

doi:10.2307/466433

Cited by 43 publications

(21 citation statements)

References 5 publications

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“…In any case, the discussion about public art inspires an exploration about the idea of public spaces that embraces both dimensions, one that is more discursive and another that is more material, suggesting the intertwined tracks that this article will follow. First, it is worth considering a valuable point in Deutsche's (1992) text, which is not disassociated from these routes. Although it suggests what public art should be, this proposal depends on an idea of public that rejects defi nitions that are extrinsic or prior to concrete situations.…”

Section: Public Art: No Single Defi Nition But Some Leadsmentioning

confidence: 99%

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Public spaces and religion: an idea to debate, a monument to analyze

Giumbelli

2018

Horiz. antropol.

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The text presents the first results of a study conducted in Brazil about the construction of a monument that represents a Catholic saint. The analysis is developed in two planes. One focuses on discourses that constitute something as “public”. The other focuses on spatial dimensions: how material features influence configurations of public spaces. Each theoretical exploration corresponds to an analysis of certain facets of the monument, which are respectively related to the debates that it has triggered and the architectural solutions generated. The articulation between these two dimensions is inspired by thematizations and debates about what is public art. The aim is to contribute to the theoretical discussion and the empirical analysis of situations involving the presence of religion in public spaces.

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Section: Public Art: No Single Defi Nition But Some Leadsmentioning

confidence: 99%

“…Formulations like those of Deutsche (1992) point to one of the routes taken in the debate about the Habermasian concept of the "public sphere". With this concept, Habermas sought to locate the historic constitution of a fi eld of political deliberation in modernity, and to suggest its decline.…”

Section: The Discursive Constitution Of What Is Publicmentioning

confidence: 99%

Public spaces and religion: an idea to debate, a monument to analyze

Giumbelli

2018

Horiz. antropol.

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“…The broader impact and accountability to communities beyond the academy is of growing concern. The moral imperative of public engagement is tied to urban places (Catungal and McCann 2010;Deutsche 1992;Kohn 2004;Low and Smith 2006;McCann 2002;Mitchell 2003;Ruddick 1996;Rizzo and Galanakis, 2015;Sennett 1994;Tuan 1988). Urban places are the fabric through which urban processes are experienced by, and values communicated to urban dwellers, citizens, and political actors (Cresswell 2002(Cresswell , 2003Hayden 1995;Soja 1980;Tuan 1988).…”

Section: Public Scholarship: Public Engagement As An Enabling Constramentioning

confidence: 99%

Seeking Northlake: Place, technology, and public as enabling constraints for urban transdisciplinary research

Brown

Benson

Keel

et al. 2017

Cities

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“…... El mundo del arte ha conjurado el concepto de "lo público" para impugnar la apropiación de esa categoría por las fuerzas que legitiman los nuevos espacios y el nuevo arte público que más tienen que ver con la imposición de nuevas formas de subordinación que con la democratización de la ciudad (Deutsche, 1992: 42. Traducción propia.…”

Section: La Componente Social En La Estética Y La Participaciónunclassified

Estética e interacción social en la identidad del espacio urbano

García-Doménech

2015

AYC

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ResumenLa consideración estética de la ciudad ha evolucionado muy rápidamente durante el último siglo y medio, de forma que en la actualidad, la estética urbana supone un objetivo común a toda actuación de regeneración y renovación en la ciudad. El arte público, sin ser el único, supone un interesante medio para la consecución de dicho objetivo y por su naturaleza, el espacio público es el lugar inherente para su materialización. El paisaje urbano percibido en el espacio público requiere de una interacción entre el propio medio y la sociedad que lo habita para poderse definir estéticamente. En esa definición, el factor social resulta necesario tanto en un sentido pasivo de percepción de la imagen urbana, como en un sentido activo de participación en su géne-sis. Para moldear la identidad del espacio público resulta fundamental establecer un correcto equilibrio entre ambas componentes: la estética y la social. Palabras claveEspacio público, arte público, paisaje urbano, participación social, identidad urbana.

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Art and Public Space: Questions of Democracy

Cited by 43 publications

References 5 publications

Public spaces and religion: an idea to debate, a monument to analyze

Public spaces and religion: an idea to debate, a monument to analyze

Seeking Northlake: Place, technology, and public as enabling constraints for urban transdisciplinary research

Estética e interacción social en la identidad del espacio urbano

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