Association and Progression: Principles of Integration in Anthologies and Sequences of Japanese Court Poetry, A. D. 900-1350

Konishi, Jin'ichi; Brower, Robert H.; Miner, Earl

doi:10.2307/2718620

Cited by 91 publications

(2 citation statements)

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“…11, D). These oscillatory ripples appeared to represent the synchronized activity of the ganglion cell axons in the retina (Fry and Bartley, 1934;Konishi, 1958 with each ripple, as was found in the retinal response, representing the synchronous activity in the ganglion cell axons in the retina, but also with each one of the optic nerve discharge, and was also shown that the color specific sensitivity might be revealed by the difference in time character of these nervous activities. The latter results appeared to be the similar ones as Donner's (1950), Motokawa's (1949), .…”

Section: Correlation Between Central and Retinal Responses The Retinamentioning

confidence: 62%

Electric Response of Visual Center in Fish, Especially to Colored Light Flash

Konishi

1960

Jpn.J.Physiol

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Section: Correlation Between Central and Retinal Responses The Retinamentioning

confidence: 62%

Electric Response of Visual Center in Fish, Especially to Colored Light Flash

Konishi

1960

Jpn.J.Physiol

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“…Nota: neste poema, ao contrário do que é comum no calendário solar, a primavera não se inicia em fevereiro do ano novo, mas, seguindo o calendário lunar, o marco de início da primavera fixou-se ainda no ano velho (KONISHI;McCULLOUGH, 1978, p. 126). Há um estranhamento em relação ao momento da chegada da primavera, pois, mesmo seguindo o calendário lunar, essa estação costumava, na maioria das vezes, iniciar-se apenas no Ano Novo, e não antes, como ocorrido no ano retratado no poema.…”

Section: Casos De Kakekotoba Com "Hi"unclassified

Os recursos retóricos na obra Kokinwakashû (coletânia de poemas de outrora e de hoje). Uma análise da morfossintaxe e do campo semântico do recurso Kakekotoba

Nakaema¹

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Uma análise da morfossintaxe e do campo semântico do recurso Kakekotoba Versão Corrigida São Paulo 2012 1 Fujiwara no Sadaie, cognominado Fujiwara no Teika, foi poeta e funcionário imperial. Seu pai, Fujiwara no Toshinari ou Fujiwara no Shunzei (1114-1204), também foi um poeta muito conhecido. Ambos foram autores de tratados poéticos e antologias. 2 Nem sempre as versões de Kokinwakashû estão nessa ordem. Segundo Saeki (1964, p. 13), em alguns manuscritos, o Manajo pode não existir ou vir no início, antes dos poemas.

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The Cambridge History of Japanese Literature

Shirane¹,

Suzuki²,

Lurie³

2015

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The Cambridge History of Japanese Literature provides, for the first time, a history of Japanese literature with comprehensive coverage of the premodern and modern eras in a single volume. The book is arranged topically in a series of short, accessible chapters for easy access and reference, giving insight into both canonical texts and many lesser known, popular genres, from centuries-old folk literature to the detective fiction of modern times. The various period introductions provide an overview of recurrent issues that span many decades, if not centuries. The book also places Japanese literature in a wider East Asian tradition of Sinitic writing and provides comprehensive coverage of women's literature as well as new popular literary forms, including manga (comic books). An extensive bibliography of works in English enables readers to continue to explore this rich tradition through translations and secondary reading.

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Association and Progression: Principles of Integration in Anthologies and Sequences of Japanese Court Poetry, A. D. 900-1350

Cited by 91 publications

References 0 publications

Electric Response of Visual Center in Fish, Especially to Colored Light Flash

Electric Response of Visual Center in Fish, Especially to Colored Light Flash

Os recursos retóricos na obra Kokinwakashû (coletânia de poemas de outrora e de hoje). Uma análise da morfossintaxe e do campo semântico do recurso Kakekotoba

The Cambridge History of Japanese Literature

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