“…If confirmed, the dependence of auditory processing (in part) on autonomic pathways and the limbic system would offer a new way of investigating processes that underlie our relationship with sound, particularly the sounds of speech, song, and music: From a bodily perspective, it is possible to see connections that are difficult to appreciate from a top-down direction; for example, (a) direct connections between cranial nerves V, VII, IX, and X, and NTS (important in regulation of cardiovascular functions such as blood pressure and heart rate control) may help explain why music has such a powerful influence on the cardiovascular system (Nieuwenhuys et al, 2008, p. 706), (b) projection of listening-related activity to orofacial regions of the primary sensory and (subsequently) motor cortex, may be relevant in the search to understand why motor regions of the brain are recruited in perception and why these regions are modulated by the size of the music interval (Royal et al, 2015), and (c) the projection of pitch-related patterns of activity via autonomic pathways to centers that play a key role in emotion processing may be relevant in the search to understand why there is such a close relationship between music and emotion. The presence of a peripheral substrate shared by processes underlying production and perception would also have implications for our understanding of auditory imagery and auditory short-term memory (ASTM): first, because frontoparietal, cerebellar, and sensorimotor areas active in perception overlap those active in imagery (Harris & de Jong, 2015;Herholz, Halpern, & Zatorre, 2012;Landry et al, 2015;Lima et al, 2015), and second, because common mechanisms are thought to underpin perception and imagery, with perception favoring ventral pathways and imagery, the dorsal pathway. One suggestion is that this overlapping activity reflects sensorimotor simulation (Lima et al, 2015).…”