Avant-Garde Research in the Field of Verse Forms (based on I.Yuzeev lyrics)

Zagidullina, Daniya F; Amineva, Venera R.

doi:10.18355/xl.2016.09.01.135-145

Cited by 6 publications

(5 citation statements)

References 0 publications

Supporting

Mentioning

Contrasting

Unclassified

Order By: Relevance

“…In the research of the genres poetics of R. Gatash lyrics we relies on the works devoted to the art and esthetic nature of the vanguard phenomena in the Tatar [Zagidullina, Amineva 2016] and Russian [Smirnov 2002: 98-196;Broytman 2008] poetry and also works of foreign researchers about postmodernism and nonclassical type of an art ensemble [Habermas 1981;Lyotard 1984;Fokkema 1984;Connor 1997;International Postmodernism … 1997].…”

Section: Methodsmentioning

confidence: 99%

Genre and Stylistic Search of Vanguard Lyrics

Yuzmukhametova

Amineva

Nurmieva

2019

Journal of Educational and Social Research

View full text Add to dashboard Cite

In works of the Tatar poet R. Gatash the leading trends of national historical-literary process of the 1960-1980th were shown. The poet uses within one work mythopoetic language, tracks and an esthetics of “simple” [not stylistic] word which enter among themselves the dialogical relations. In this regard there is a need to consider various options of mutual illumination of different stage languages and the related ways of art completeness on the example of concrete works. The topicality of the conducted research is defined by need of theoretical judgment of the art and esthetic nature of nonclassical type of an art ensemble in relation to the Tatar literature of the 2nd half of the 20th century. In the solution of objectives using of a system and structural method is supposed. The works of domestic and foreign scientists devoted to problems of postmodernism and nonclassical type of an art ensemble had an impact on the concept of the conducted research. On the basis of the carried-out analysis different options of mutual illumination of different stage languages are allocated: mythological, conditional and poetic and “simple” word. It is established that the mythopoetic language and language of ladders which are going back to national poetry are exposed to internal transformations, becoming more difficult, individual and unpredictable. The conclusion is drawn on compliance to different figurative languages of various genre and semantic orientations and on formation in the poet’s works of a subject situation characteristic of nonclassical poetics.

show abstract

Section: Methodsmentioning

confidence: 99%

Genre and Stylistic Search of Vanguard Lyrics

Yuzmukhametova

Amineva

Nurmieva

2019

Journal of Educational and Social Research

View full text Add to dashboard Cite

show abstract

“…In modern researches various types of consciousness, the identifications caused by plurality, are analyzed by literature (Safiullin, 2010;Amineva, 2015;Zagidullina & Amineva, 2016;Vasilyev, 2003). Philosophical justification of plurality of identifications is the modern philosophy (J. Derrida, M. Foucault, J. Delez, F. Gvattari, etc.)…”

Section: Methodsmentioning

confidence: 99%

The Image of the Garden in the Creativity of Ravil Bukharaev and Lydia Grigorieva in the Context of Dialogue of Cultures

Kamalieva¹,

Ibragimov²,

Galimullina³

et al. 2017

TAKSAD

View full text Add to dashboard Cite

One of the research aspects in this direction is considered in this article: the question of semantic and functional features of the garden image in Ravil Bukharayev and Lydia Grigorieva's poetry. The concept of dialogue of cultures which allows considering the garden image in Bukharayev and Grigorieva's poetry in the aspect of semiosis and broad inter-textual communications including various texts and cultural codes which are present in them became the basis of this research. Having considered specifics of artistic realization of the garden image in Bukharayev and Grigorieva's creativity authors of article came to the following conclusions: there are essential differences in attitudes of the poets reflected in their art creativity. If for R. Bukharayev the image of a garden as a rule is associated with the homeland, the native language from which isolation is sharply experienced by the poet (in the cycles "Kazan Snow", "Agony in the Garden", etc.), then Grigorieva organically fits into the English literary environment, its acceptance of the English world, cultures occurs without visible efforts, is harmonious and creative. Grigorieva learns philosophy of garden not only by means of traditional poetic means of expression, but also creating and proving the new synthetic genre determined by it as "film poetry", "photo poetry".

show abstract

“…Another group, a smaller one, can include those who adhere to the opposite creative strategythe withdrawal of the very idea of a stable lyric "I" from the artistic world; usually they are the authors of an experimental avant-garde warehouse developing the most radical types of writing (M. Eryomin, V. Sosnora, S. Biriukov, A. Skidan, S. Zavyalov, D. Beznosov, et al) (Zagidullina, 2016).…”

Section: Methodological Basismentioning

confidence: 99%

Image, Mask and Persona in the Russian Poetry at the Turn of 21st Century

Matveeva¹,

Domanski²,

Skvortsov³

2017

TAKSAD

View full text Add to dashboard Cite

Poetry at the turn of 20-21 st centuries is a heterogeneous and largely unexplored phenomenon.The works, in which the issues of contemporary Russian poetry development are considered systematically, are of fundamental importance. One of the important problems of this period is the tendency to a literary game -including image, mask nature and character in poetry. For all its obviousness, this problem was not studied conceptually. The purpose of this work is to examine the ways of image-making, masking and character in modern poetry and their interpretation from the point of view of genesis. The following conclusions were drawn after the study: 1) Masking and character in poetry are more often manifested in 1980s -90s (and during an earlier period), whereas 2000s and subsequent years are marked by image-making.2) The authors of the older and middle generation tend toward masking and character, while the younger, on the contrary, prefer image design (although exceptions are found in all three groups). 3) Masking and character in its origin are the phenomena of the late Soviet era. 4)Image making comes to the forefront during the last period when literature began to experience a serious pressure from the modern media environment, dictating new ways of interaction between a poet and an audience. The performed analysis of these trends determined the final conclusion: the propensity of modern authors to character and masking will continue to decrease, and the impact of image-making will be growing for some time until the change of the social-cultural paradigm from postmodern to another one.

show abstract

Avant-Garde Research in the Field of Verse Forms (based on I.Yuzeev lyrics)

Cited by 6 publications

References 0 publications

Genre and Stylistic Search of Vanguard Lyrics

Genre and Stylistic Search of Vanguard Lyrics

The Image of the Garden in the Creativity of Ravil Bukharaev and Lydia Grigorieva in the Context of Dialogue of Cultures

Image, Mask and Persona in the Russian Poetry at the Turn of 21st Century

Contact Info

Product

Resources

About