Abstract:This study shows the central position held by Ayi Kwei Aramh’s The Beautyful Ones Are Not Yet Born in the African literary world. It tries to prove that the publishing of this work was a landmark in the early post-colonial context of African literature. Through a series of breaks from still prevailing colonial and neocolonial literary discourses, it has initiated an innovative aesthetics which has left a tremendous legacy which is being continued by subsequent generations.
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