2018
DOI: 10.1177/1532708618784332
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Becoming Acrobat, Becoming Academic: An Affective, Autoethnographic Inquiry Into Collective Practices of Knowing and Becoming

Abstract: This article mobilizes a Spinozo–Deleuzian understanding of affect to articulate connections between embodied sensation and academic thinking, connections which surfaced during my ethnographic and autoethnographic research as a circus performer. I argue against reifying differences between the production of knowledge and of movement, suggesting we explore similarities in the conditions of their emergence including reflection, multiplicity, and responsiveness to repetition. In so doing, I challenge hegemonic id… Show more

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Cited by 11 publications
(4 citation statements)
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“…We supplemented the visual data with narratives by 15 significant figures in OA, including members of the collective and participants in its interventions from six Polish cities between June 1986 and July 1989 (Dardzińska & Dolata, 2011). We saw their reflections as valuable for re-imagining the affective atmosphere of the OA’s interventions; as Stephens (2019, p. 267), following Deleuze, notes, ‘as affect has an effect on sensation, it’s mostly recognized on reflection’. All material was translated from Polish by the authors.…”
Section: Methodological Reflectionsmentioning
confidence: 97%
“…We supplemented the visual data with narratives by 15 significant figures in OA, including members of the collective and participants in its interventions from six Polish cities between June 1986 and July 1989 (Dardzińska & Dolata, 2011). We saw their reflections as valuable for re-imagining the affective atmosphere of the OA’s interventions; as Stephens (2019, p. 267), following Deleuze, notes, ‘as affect has an effect on sensation, it’s mostly recognized on reflection’. All material was translated from Polish by the authors.…”
Section: Methodological Reflectionsmentioning
confidence: 97%
“…The CAE process was transformational, we were not individuals but a group in our own right who had worked to “re-understand individual experiences through a collective lens” (Torre et al, 2012, p. 174). This process of (re)empowerment through ‘we’ echoed the findings of Stephens (2019) whereby creating a secure space within the academic sphere built our confidence, enforced healthy boundaries, and recognised what is comfortable and what is acceptable to us as individuals, and as a group. However, here we also found ourselves within the centre of the tensions faced by all feminist researchers: “We want to live our contradictions, to become-academic through uprooting what it means to be academic” (Brooks et al, 2020, p. 292).…”
Section: Introductionmentioning
confidence: 81%
“…In Minecraft, nature lives on the screen, providing an authentic form of embodied experience. Crossing boundaries between different realities, the virtual and the real nature, as in our case, becomes a means to "open the opportunity for thinking/feeling/knowing differently-in particular in more sensory and collective ways" [37] (p. 265). Individuals are constantly merging their experiences in the virtual world with experiences in the physical world.…”
Section: Minecraft Between the Physical And Virtual Relationship With...mentioning
confidence: 97%