“…Certainly, an urban frame can be appreciated as beautiful, ugly, sophisticated, kitschy, tacky, humorous, sublime, or uncanny. However, whatever their aesthetic appeal, as in the aesthetic response triggered in people by a landscape [62], this appeal is not likely to result from an in-depth dive into philosophical considerations around the aesthetics of a landscape, but more from spontaneous ad hoc manifestations of personal intentions materialized by the means at hand. CG are probably the most straightforward manifestation of the idea that what makes spaces public is not their ownership status, physical design, or aesthetic appearance, but rather the experiences people are able to create and share within it [63].…”