“…Starting from the observation that a sound appears louder when listened to with both ears ͑i.e., binaurally͒ than with only one ͑i.e., monaurally͒, a number of investigators conducted experiments using headphones, through which different combinations of left-and right-ear sound-pressure levels were presented in order to quantify this effect. The results are often summarized as providing evidence for a binaural-to-monaural loudness ratio of 2:1, or perfect loudness summation, corresponding to a binaural gain of approximately 10 decibels ͑e.g., Levelt et al, 1972;Marks, 1978;Schneider and Cohen, 1997͒, in accordance with the sone scale of loudness. The evidence is far from unequivocal, however, with many studies finding less-than-perfect summation ͑e.g., loudness ratios of approximately 1.5:1; Zwicker and Zwicker, 1991͒, and a level dependence of the binaural gain, which appears to increase from approximately 3 dB near threshold to 6 -10 dB at high sound-pressure levels ͑Shaw et al, 1947;Reynolds and Stevens, 1960;Hellman and Zwislocki, 1963͒. Interestingly, binaural loudness summation, as conceptualized in this paradigm, has not been investigated with sounds that are likely to reach the eardrums when emitted from a real source in space, i.e., with products of the first ͑HRTF͒ filtering stage.…”