2003
DOI: 10.1109/tsa.2003.818108
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Binaural cue coding-part II: schemes and applications

Abstract: Abstract-Binaural

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Cited by 167 publications
(119 citation statements)
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“…where P m,b and P d,b are the estimated power of the mastering and down-mix signals, respectively, while b is a parameter band index which indicates the spectral region containing several spectral components and K is the number of parameter band [3]. Using MDG b and P m,b , the power of down-mix signal can be obtained as…”
Section: Simple Mastering Signal Processing In Mpeg Saoc and Its Problemmentioning
confidence: 99%
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“…where P m,b and P d,b are the estimated power of the mastering and down-mix signals, respectively, while b is a parameter band index which indicates the spectral region containing several spectral components and K is the number of parameter band [3]. Using MDG b and P m,b , the power of down-mix signal can be obtained as…”
Section: Simple Mastering Signal Processing In Mpeg Saoc and Its Problemmentioning
confidence: 99%
“…This interactive audio service, however, has a constraint that a high bit-rate should be guaranteed because the various audio objects need to be separately coded. As an approach to solve the bit-rate problem in the interactive audio service, spatial audio object coding (SAOC) schemes have been introduced and developed [3], [4]. Especially, the MPEG Audio subgroup has been developing MPEG SAOC as a standard of the SAOC [5]- [8].…”
Section: Introductionmentioning
confidence: 99%
“…These psychoacoustic concepts are adopted by SAC approaches to derive level and time or phase-based spatial cues from multichannel audio. This paper employs spatial cues originally introduced by the following SAC schemes: Binaural Cue Coding (BCC) [4] and Parametric Stereo Coding (PSC) [5].…”
Section: Spatial Audio Codingmentioning
confidence: 99%
“…and a reference channel (taken to be channel one i.e. C = 1), for each frame, m, and each subband, b [4]:…”
Section: Spatial Audio Coding Cuesmentioning
confidence: 99%
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