Biopolitics and Media Power in the Online Dance Remake: Remixing Beyoncé’s “***Flawless” in the YouTube Archive

Abstract

This article examines the dance sequences from Beyoncé's 2013 video "***Flawless" to highlight the centrality of popular black dance within contemporary culture. Further, it looks beyond Beyoncé's corpus to critically examine the dance remake, a forum in which dancers harness "media power" (Carroll) within the YouTube archive to re-signify Beyoncé's work through collective choreographed dance. In this environment, dancers construct alternative biopolitics grounded by localized and participatory modes of identification. In short, this article argues that Beyoncé's deeply personal and multifaceted poetics, when remixed via collective articulations, prompt non-essentialist negotiations of black culture's intersectionality. Ultimately such intersectional responses to Beyoncé's videos complicate recent debates about feminism, resilience, and sexuality within the music industry. It is also within the YouTube archive where the choreographer has assumed an elevated yet precarious status.

Enforcement of Law of Copyright Infringement and Forgery with the Rise of the Digital Music Industry

“…The streaming music applications such as Joox, Spotify and YouTube are a new breakthrough for the music world where music listeners are given the convenience of accessing the music offered, including for the millennial generation at this time 27 . Only by downloading the applications via a smartphone, listeners can enjoy the music they want without limits.…”