2020
DOI: 10.1177/0193723520928593
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Bluespace, Senses, Wellbeing, and Surfing: Prototype Cyborg Theory-Methods

Abstract: Bluespace, where water people immerse themselves for thrills, therapy, or thalassography, is constantly fluctuating, influenced by materials, nature, and discourse. Drawing on onto-epistemological aspects of embodied theory-method, we report entangled prototype “cyborg” in situ strategies (mobile, sensory [auto]ethnography, and self-interview) to notice, record, and ultimately create human–water relations, from the perspective of a surfer. Audio/-visual evidence, from multiple perspectives, folding time, and s… Show more

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Cited by 22 publications
(19 citation statements)
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“…While the COVID-induced lockdown circumstances were exceptional, they help amplify and highlight the deeply affective ‘everyday’ experiences of recreational surfers’ practices and how they influence people’s sense of wellbeing, collective identities, and forms of belonging and exclusion [ 33 , 34 ]. This unusual time-period has emphasised the socio-cultural relationships, experiences, and meanings that surfers bestow on their experiences of oceanic blue spaces, in diverse local and national contexts [ 33 , 34 , 63 ].…”
Section: Resultsmentioning
confidence: 99%
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“…While the COVID-induced lockdown circumstances were exceptional, they help amplify and highlight the deeply affective ‘everyday’ experiences of recreational surfers’ practices and how they influence people’s sense of wellbeing, collective identities, and forms of belonging and exclusion [ 33 , 34 ]. This unusual time-period has emphasised the socio-cultural relationships, experiences, and meanings that surfers bestow on their experiences of oceanic blue spaces, in diverse local and national contexts [ 33 , 34 , 63 ].…”
Section: Resultsmentioning
confidence: 99%
“…As research on ‘surf therapy’ wellbeing initiatives that have been proliferating around the world [ 30 , 130 , 131 ] has also shown, these wellbeing benefits of ocean immersion are multi-sensory. lisahunter and Stoodley [ 34 ] explored surfers’ relationships with salt-water, using various technologies to capture their multi-sensory experiences, feelings and ‘entanglements with water’ (p. 4). Their work focused less on what participants thought about surfing, but rather on their experiences of ‘seeing, hearing, and feeling it’, such as ‘the smells and sounds of the coast, the temperature and movement of the water, and the taste of salt in the air’ (p. 8).…”
Section: Resultsmentioning
confidence: 99%
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