“…Most of the academic literature concerning Afrofuturism provides a much more detailed version of what I attempted to provide in the previous two paragraphs by tracing the roots of the Afrofuturist movement before that movement even had a name (see, for example, Asim, 2016;English, 2017;Hamilton, 2017;Jones, 2015;Juang & Morrissette, 2008;Womack, 2013;Yaszek, 2006). Also, within the recent popular press, there are reviews of Afrofuturist gallery openings (e.g., Greenland, 2018) and of Afrofuturist fashion (Wallace, 2018) that weave discussions of Afrofuturist thinking into the critiques provided. Commensurate with the intersection of fantastical visions of everyday life for African-Americans and the abundance of aesthetic artistry employed by Afrofuturist artists, a great deal of literature considers the layers of meaning presented in graphic novels and comic books starring superheroes of color (Knight, 2015;Nama, 2009) who enforce the moral compass promised but denied by social democracy.…”