Campur Kode Pada Novel 99 Cahaya Di Langit Eropa Karya Hanum Salsabiela Rais Dan Rangga Almahendra (Kajian Sosiolinguistik)

Yanti, Lili

doi:10.26737/jp-bsi.v1i1.72

Cited by 9 publications

(10 citation statements)

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“…Muara dari keduanya yakni penjelajahan Syamsul guna mencari jati dirinya, guna menjadi orang yang diberikan takdir baik Allah dengan upaya mendekat pada-Nya. Kedua, penelitian yang telah dilaksanakan Yanti (2016) berjudul "Ekranisasi Novel ke Bentuk Film 99 Cahaya di Langit Eropa Karya Hanum Salsabiela Rais serta Rangga Almahendra". Hasil penelitian tersebut membuktikan adanya pelaksanaan ekranisasi terdapat dalam alur, tokoh, serta latar, yakni dengan ditemukannya penciutan, penambahan, serta perubahan bervariasi.…”

Section: Pendahuluanunclassified

Ekranisasi Novel ke Film Cinta Laki-Laki Biasa Karya Asma Nadia dan Guntur Soehardjanto

Yuniar

Widiati

2021

JoLLA

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In a few years, the world of cinema could not be separated from literary works. There are many literary works, one of them is a novel that was used as inspiration to produce a movie. Novels that have high popularity and selling power are able to attract producers to adapt novels into movie form. This research focus is to describe the ecranization of the novel into Cinta Laki-Laki Biasa movie, which includes (1) plot ecranization, (2) figure ecranization, and (3) setting ecranization. The approach used in this research is a qualitative approach with descriptive methods. The main instrument in this research is the researcher herself. The data sources of this research are the Cinta Laki-Laki Biasa novel by Asma Nadia and the Cinta Laki-Laki Biasa movie by Guntur Soehardjanto. The data collecting techniques are reading, watching, and recording the data contained in the novels and movies of Cinta Laki-Laki Biasa. The data analysis result of this research shows there is a novel ecranization process to the Cinta Laki-Laki Biasa movie, which includes adding, shrinking, and changing various. This is deliberately done to fit the needs of the movie. There are 3 plot shrinkage changes, 22 plot additions, and 8 plot varied changes. Then, there are 3 figures shrinkage changed, 11 figures added, and 2 figure varied changes. In addition to plot and figure, there are 2 setting shrinkage changes, 10 setting additions, and one setting varied changes Keywords: ecranization, novel, movie Abstrak: Dalam beberapa tahun, dunia perfilman tidak lepas dari karya sastra. Banyak karya sastra, salah satunya novel dijadikan inspirasi untuk memproduksi sebuah film. Novel-novel yang mempunyai popularitas serta tingkat penjualan tinggi yang mampu menjadi daya tarik para produser untuk mengadaptasi novel ke dalam bentuk film. Fokus penelitian ini adalah melakukan pendeskripsian ekranisasi novel ke dalam film Cinta Laki-Laki Biasa, yang meliputi (1) ekranisasi alur, (2) ekranisasi tokoh, dan (3) ekranisasi latar. Pendekatan yang digunakan dalam penelitian ini adalah pendekatan kualitatif dengan metode deskriptif. Instrumen utama dalam penelitian ini adalah peneliti sendiri. Sumber data penelitian ini adalah novel Cinta Laki-Laki Biasa karya Asma Nadia dan film Cinta Laki-Laki Biasa karya Guntur Soehardjanto. Teknik pengumpulan data adalah membaca, menonton, dan mencatat data-data yang terdapat pada novel dan film Cinta Laki-Laki Biasa. Hasil analisis data penelitian ini menunjukkan adanya proses ekranisasi novel ke film Cinta Laki-Laki Biasa yang mencakup penambahan, penciutan, dan perubahan bervariasi. Hal tersebut sengaja dilakukan untuk menyesuaikan kebutuhan dalam film. Terdapat 11 penciutan alur, 22 penambahan alur, dan 8 perubahan bervariasi. Selanjutnya, terdapat 3 penciutan tokoh, 11 penambahan tokoh, dan 2 perubahan bervariasi tokoh. Selain alur dan tokoh, terdapat 2 penciutan latar, 10 penambahan latar, dan 1 perubahan bervariasi. Kata kunci: ekranisasi, novel, film

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Section: Pendahuluanunclassified

Ekranisasi Novel ke Film Cinta Laki-Laki Biasa Karya Asma Nadia dan Guntur Soehardjanto

Yuniar

Widiati

2021

JoLLA

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“…The result concluded that there are similarities and differences of the plot and characters in novel and its film adaptation Surat Kecil Untuk Tuhan. Other similar and recent studies in literary work of novel is Yanti (2016) that the objectives of her research discussed about Ecranization processes between the novel 99 Cahaya Di Langit Eropa and its film adaptation and the result concluded that there lot of differences of the plot, setting and character in novel and its film adaptation 99 Cahaya Di Langit Eropa.…”

Section: Transformasi Novel Murder On the Orient Express Ke Dalam Filmentioning

confidence: 65%

Transformation of a Novel Murder on the Orient Express Into Its Film Adaptation Using Ecranization Study

Aspriyanto

Hastuti

2020

JBS-JPBSP

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The objectives of this research are to determine and analyze the ecranization process on the characters in novels and its film adaptation. This research used descriptive qualitative method. The importance of this research can give contribution for other researchers who want to conduct the research about ecranization processes such as addition, reduction and variation of change in terms of plot, character and setting. The research results in the ecranization process on the character occurs reduction, addition and variation of change. The reduction in both novels and films occurs because the duration of the film cannot be long, unlike in a novel with a long duration the film reduced characters, although undergo the reduction but does not omit or change the main of the story. The addition both novels and the film added characters to the film because the director wanted to give a creative impression on some scenes in the film and not monotonous as in the novel. The variation of change both novels and films occurred by the characters that were replaced because the director wanted to make a difference between the novel and the film and also variation of change in the character did not change the main storyline of the novel and the film.

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“…In data (28), there is a code-mixing in narration with the word "papat" which means four. It inserts elements of the Javanese language into the Indonesian text.…”

Section: Mixed Word Codementioning

confidence: 99%

Code-Mixing in the Novel Sepatu Dahlan by Khrisna Pabichara

Putri,

Sunanda,

Sufanti

et al. 2023

Advances in Social Science, Education and Humanities Research

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This study aims to describe a form of code-mixing in the novel Sepatu Dahlan. The method used in this research was descriptive qualitative. The source of research data was the novel Sepatu Dahlan which has code-mixing in its dialog text. The data in this study were in the form of words, sentences, and expressions in the novel Sepatu Dahlan, which contained code mixing in local languages (Javanese) and foreign languages (English and Arabic). Collecting data in this study used the note-taking method. The data analysis technique applied in the research was descriptive. Based on the analysis of code-mixing in the novel Sepatu Dahlan, the form of code-mixing is 59 data: 38 words, 8 phrases, 8 clauses, and 5 repetitions. Code-mixing in word insertion is the most widely used, while the least is repetition. Code-mixing in the novel Sepatu Dahlan is mostly in inserting elements of foreign languages (English and Arabic) and local Javanese languages into Indonesian text.

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Campur Kode Pada Novel 99 Cahaya Di Langit Eropa Karya Hanum Salsabiela Rais Dan Rangga Almahendra (Kajian Sosiolinguistik)

Cited by 9 publications

References 0 publications

Ekranisasi Novel ke Film Cinta Laki-Laki Biasa Karya Asma Nadia dan Guntur Soehardjanto

Ekranisasi Novel ke Film Cinta Laki-Laki Biasa Karya Asma Nadia dan Guntur Soehardjanto

Transformation of a Novel Murder on the Orient Express Into Its Film Adaptation Using Ecranization Study

Code-Mixing in the Novel Sepatu Dahlan by Khrisna Pabichara

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