Chapitre II. Formes observables, représentations et appropriation du texte de réseau

Jeanneret, Yves; Béguin, Annette; Cotte, Dominique; Labelle, Sarah; Perrier, Valérie; Quinton, Philippe; Souchier, Emmanuël

doi:10.4000/books.bibpompidou.412

Cited by 5 publications

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“…Les recherches sur l'utilisation des sites Internet montrent que les mouvements du corps sont essentiels à la compréhension du processus général de communication ; il s'agit de poétiques posturales qui révèlent des façons de s'engager dans le dispositif. 28 Ces recherches redonnent sa place à un corps, non seulement surface sémiotique, mais surtout acteur des processus de construction de la signification par le biais notamment des émotions 29 .…”

Section: L'objet Défini Par Le Corps : Les Gestes Signifiantsunclassified

Expérimentation technique et création : l’implication des utilisateurs dans l’invention des médias

Gentès,

Jutant

2011

Communication &Amp; Langages

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Résumé L’article interroge la façon dont les sciences sociales sont sollicitées au moment de l’invention des technologies de l’information et de la communication (TIC), notamment au moment des expérimentations. En partant de l’analyse des tests couramment effectués dans les projets de recherche en TIC, les auteures reviennent sur la notion de breaching experiment exportée du champ de l’ethnométhodologie dans le champ de la recherche en ingénierie. Elles analysent la situation de communication particulière qu’engagent ces tests, et proposent des formes d’évaluation qui permettent de requalifier les enjeux et les pratiques de ces tests. Le concept de « performance » issu de cette analyse comparative rend compte de la complexité de cette situation ancrée dans un corps pensif. Les gestes permettent de redéfinir l’objet technique, le contexte, et le rapport qui se construit à l’ensemble. Ils sont aussi la base pour un débat sur la technologie.

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Section: L'objet Défini Par Le Corps : Les Gestes Signifiantsunclassified

Expérimentation technique et création : l’implication des utilisateurs dans l’invention des médias

Gentès,

Jutant

2011

Communication &Amp; Langages

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“…O textiel / "infotexto"... da internet, conforme Paveau (2021), a demandar uma ecologia do discurso, já que todo o ambiente onde se materializa o discurso torna-se objeto de análise e este, agora, passa a ser um tecnodiscurso. Além dos componentes tecnológicos das formas nativas digitais, a elaboração dos discursos on-line integra gestos tecnoenunciativos, uma vez que exige do leitor-usuário, para que o texto aconteça, que clique, role, tecle etc., conforme destaca Jeanneret et al (2003). A ecologia do discurso também se apresenta em função da dimensão relacional inerente ao discurso digital, pois todos os enunciados são potencialmente ligados uns aos outros, em graus variados e em diversas configurações.…”

Section: Introductionunclassified

“…O texto digital impõe que se o encare como objeto complexo, que implica, segundo Jeanneret et al (2003), inevitavelmente, sua dimensão técnica, ou seja, uma "textualidade tecnicizada" 1 (JEANNERET et al, 2003, p. 99). Isso significa considerar, entre outros, sua materialidade tecnolinguageira, seu caráter polissemiótico -ao mobilizar, em uma mesma semiose, texto, imagem fixa ou animada, som -além de um engajamento corporal obrigatório e a multiplicidade de modelos culturais que ele evoca.…”

Section: Introductionunclassified

O textiel / “infotexto” e a enunciação editorial

Giering¹,

Souza²

2022

Entrepalavras

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No âmbito dos estudos da Análise do Discurso Digital proposto pela linguista Marie-Anne Paveau (2021), a noção de texto é problematizada, tendo em vista o texto digital nativo, endêmico do ecossistema digital, exigir um olhar diferenciado, já que é fruto de um compósito de linguagem e tecnologia. A autora afirma que a linguística tradicional, ao estudar o digital, ainda se vale de conhecimentos e métodos ligados aos textos impressos, enquanto o texto digital nativo exige um enfoque diferenciado pela dimensão técnica envolvida. Mayeur & Paveau (2020) propõem que se utilize a noção de textiel, que contemplaria o contínuo entre técnica e linguagem, inserindo fatores de natureza informática. O objetivo deste artigo é expor essa proposta e, a partir dela, pensar sobre a complexidade que envolve o texto em rede. Trazemos as noções de enunciação editorial e de arquitexto (JEANNERET; SOUCHIER, 1998) e as implicações dessas instâncias, que envolvem enunciadores humanos e não humanos, para o estudo dos textos conectados em rede.

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“…Its theoretical stance draws from an epistemology of representation according to which the forms produced in media textualities 'create a signifying universe that does not simply reflect the social reality but instead participates in its construction' (Souchier and Jeanneret 2009). The theoretical development of techno-semiotics, based on more than twenty years of empirical investigation and collective elaboration , as well as its related lexicon have been extensively discussed by Yves Jeanneret in his recent Critique de la Trivialité (Jeanneret 2014;Jeanneret et al 2013), where he also refers to a number of researchers sharing a similar theoretical orientation. Following the techno-semioticians, I refer to computerised media (médias informatisés) as media devices (dispositifs médiatiques) which enable the production and circulation of writings on computer networks and across a whole range of materials.…”

Section: Introductionmentioning

confidence: 99%

Semiotics of spreadability: A systematic approach to Internet memes and virality

Marino¹

2015

Punctum. International Journal of Semiotics

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disembodiment and hyperreality. The corruptive influence of this problematics is detectable in the section devoted to the digital media that Winfried Noth included in his volume on recent developments in media semiotics (Noth 1997). Be that as it may, in covering issues like chatting, electronic communities and the hypertext, the articles comprising this section were sure evidence that the younger generation of semioticians was starting to rise to the challenge of digital developments. But for a few exceptions (e.g. Jeanneret 1999, Codognet 2002), however, semiotics, and especially media semiotics, is conspicuously absent from the crucial debates and developments of the time in media theory and research. In 2010, Marcel Danesi expresses his intimation that 'a primary aim of media semiotics' is to study the implications of the general 'semiotic law of media', according to which 'as the media change, so too the sign systems of culture' (Danesi 2010: 135, see also Danesi 2015: 485). By restating, in effect, in semiotic terms, Marshall McLuhan's controversial aphorism that 'the medium is the message', Danesi seems to favor the disentanglement of media semiotics from its customary focus on media representations and endorse the redirection of its attention to the bewildering scale and variety of semiotic changes and innovations spawned by the digital revolution. He proves reluctant, though, to flesh out this crucial intimation into a new research agenda for media semiotics in the digital era. Rather condescendingly, in fact, he describes the Internet as 'the primary platform for enacting the carnivalesque within us', convinced that its importance resides mainly in in role as a medium of parody pop culture or 'indie' culture (Danesi 2010: 148). Danesi is convinced that media semiotics 'can provide relevant insights into the interconnection between technology and culture, perhaps like no other discipline can' (ibid). Once again, though, he fails to spell out the significance of this crucial point for the semiotic research agenda. The rise of the Web-centered communication environment has brought to the fore the issue of the technology-culture interface with a force and urgency, that no previous technology has ever done before. Semiotics is indeed in a privileged position to apprehend this interface as encompassing simultaneously the interaction of humans with machines and the mediated interaction between humans. But this potential has yet to be developed. In the tradition of Kittler's notion of 'semiotechnologies' (Kittler 1997), both Noth's notion of 'semiotic machines' (Noth 2002) and Jeanneret's notion of 'le techno-semiotique' (Jeanneret 2014) address the heterogenous assemblages of technological and meaningmaking operations characteristic of digital media in an explicitly negative manner, intended, as they are, to castigate the domination of technology over meaning. A much more fertile perspective has been developed by the actor-network theory (ANT) of Michel Callon, Bruno Latour and John Law, whose 'material-semiot...

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Chapitre II. Formes observables, représentations et appropriation du texte de réseau

Cited by 5 publications

References 0 publications

Expérimentation technique et création : l’implication des utilisateurs dans l’invention des médias

Expérimentation technique et création : l’implication des utilisateurs dans l’invention des médias

O textiel / “infotexto” e a enunciação editorial

Semiotics of spreadability: A systematic approach to Internet memes and virality

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