In spite of the amount of urban development that followed the Fall of the Wall, Berlin's urban landscape has remained filled with a large amount of "voids" and disused sites, which have gradually been occupied by various individuals, groups, or entrepreneurs for "temporary" or "interim" uses (such as urban beach bars). This paper analyzes how, and why, such temporary uses of space have been harnessed in recent economic and urban development policies and in the official city marketing discourse in Berlin post-2000, in the context of the discursive and policy shift toward the promotion of Berlin as a "creative city." The gradual process of enlistment of new forms of cultural and social expression by policy-makers and real estate developers for urban development and place marketing purposes has put pressure on the very existence and experimental nature of "temporary uses" and "interim spaces." These have consequently been going through various trajectories of displacement, transformation, commodification, resistance, or disappearance, and in particular cases have become the focus of intense local conflicts.Temporary uses are generally not considered to be part of normal cycles of urban development. If a building or area becomes vacant, it is expected to be re-planned, built over and used as soon as possible. Temporary uses are often associated with crisis, a lack of vision and chaos. But, despite all preconceptions, examples like the vital scene of Berlin's nomadic clubs or temporary events proves that temporary uses can become an extremely successful, inclusive and innovative part of contemporary urban culture. (SUC, 2003, p. 4) After the Fall of the Wall and the reunification of the city in 1989, a period of intensive urban development began in Berlin. Throughout the 1990s large-scale construction sites punctuated the urban landscape of the inner city, in particular around Potsdamer Platz, near the new seat of the Federal Government near the river Spree and in the historical core of the Friedrichstadt. The transformation of the city was promoted to an internal and external audience of Berliners, visitors, and potential investors through high-profile city marketing events and image campaigns, which featured the iconic architecture of flagship urban redevelopment projects to symbolize