“…Again, it is concerning that only 10 percent of all edTPA submissions are randomly selected to be scored by a second independent scorer (SCALE 2013, 23). While there have been issues reported with interrater reliability in scoring regular holistic TPP portfolios (e.g., Carpenter, Marissa, and Bloom 1995;Derham and Diperna 2007;Koretz 1998;Oskay, Schallies, and Morgil 2008;Yao et al 2008), there is a strong body of research illustrating how these issues can be rectified (e.g., Baume and York 2002;Draves 2009;Johnson, McDaniel, and Willeke 2000;Meeus, Van Petegem, and Engels 2009;van der Schaaf, Stokking, and Verloop 2005). Recent research on music education TPPs illustrates that the content-specific pedagogical knowledge of the raters is critical when evaluating electronic portfolios for the connections between the artifacts within portfolio (Parkes 2013).…”