2014
DOI: 10.1080/0895769x.2014.880145
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Coleridge, Material Culture, and Malta

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Cited by 2 publications
(2 citation statements)
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“…The inhabitants of each, although different, were regarded as “South Europeans” by their imperial administrations and race per se did not play the same kind of roles as in other colonies (Frendo, 1988, p. 186; Goodwin, 2015, p. 83; see Chircop, 2015, pp. 15–21 and Palmer, 2014, p. 8 on British racial characterization in Malta, Gallant, 2002, pp. 15–55 in the Ionian Islands, and Varnava, 2009, pp.…”
Section: Penal Space In Maltamentioning
confidence: 99%
“…The inhabitants of each, although different, were regarded as “South Europeans” by their imperial administrations and race per se did not play the same kind of roles as in other colonies (Frendo, 1988, p. 186; Goodwin, 2015, p. 83; see Chircop, 2015, pp. 15–21 and Palmer, 2014, p. 8 on British racial characterization in Malta, Gallant, 2002, pp. 15–55 in the Ionian Islands, and Varnava, 2009, pp.…”
Section: Penal Space In Maltamentioning
confidence: 99%
“…What primarily impressed the English poet Samuel Taylor Coleridge (1772-1834), when he travelled to Malta in 1804 for a two-year posting as undersecretary (and later public secretary) to the Civil Commissioner of Malta, was the shining buildings erected in "sand-free stone" around the Grand Harbour of Malta [1]. As Blouet recounts, "As he starts to explore Valletta and the urban environment around the harbors, Coleridge is bewildered at the Maltese use of limestone for every kind of construction-house, street, and wall-a centuries-old tradition born from the lack of other natural resources on the island [2]" [3] (p. 6).…”
Section: Introductionmentioning
confidence: 99%