“…Cox, 2002; Pitts, 2000) than in Spain (Rusinek & Sarfson, 2010), but the available evidence shows some similarities in the foundations of a universal music education. Both countries focused initially on collective singing in the secondary school classroom, with Spanish schools in the 1950s drawing on patriotic songs for explicitly nationalistic reasons (Carabaña, 1988, p. 213), while English schools from the start of the 20th century had followed the work of folk song collectors in promoting choral singing in schools (Rainbow, 2006, p. 257). In England, the range of musical provision in schools widened over the following decades to include music appreciation, the proliferation of extra-curricular ensembles including school choirs and orchestras, and the creative, child-centred musical learning promoted by John Paynter and other composer-educators (Paynter & Aston, 1970), which would become arguably the UK’s most distinctive contribution to worldwide music education (Finney, 2011).…”