2019
DOI: 10.1386/jmte_00006_1
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Connect Resound: Using online technology to deliver music education to remote communities

Abstract: This article describes an action research project that aimed to widen participation for music education in schools in England (United Kingdom). The Connect Resound project involved a pilot stage in North Yorkshire (England, United Kingdom) followed by a roll-out to four further geographical regions of England: Cumbria; Durham/Darlington; East Riding of Yorkshire; and Cornwall. The project involved testing a technological framework created to bring music education to schools with little or no music instrumental… Show more

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Cited by 28 publications
(18 citation statements)
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“…Assuming reliable Internet access, directors in rural communities might find that RL could supplement work in the traditional classroom by providing lessons and master classes in the absence of other resources. Perhaps parent organizations could help fund these experiences, which would begin to equalize the disparity of musical opportunities available in metropolitan versus rural areas ( Dammers, 2009 ; King et al, 2019 ).…”
Section: Discussionmentioning
confidence: 99%
“…Assuming reliable Internet access, directors in rural communities might find that RL could supplement work in the traditional classroom by providing lessons and master classes in the absence of other resources. Perhaps parent organizations could help fund these experiences, which would begin to equalize the disparity of musical opportunities available in metropolitan versus rural areas ( Dammers, 2009 ; King et al, 2019 ).…”
Section: Discussionmentioning
confidence: 99%
“…As internet speeds increase alongside computational speeds, this technology needs to become easier to use and needs developing further to function within the necessary latency targets required for singing together in real-time over home networks. Such technological improvements would also create opportunities for further development and uptake of the online delivery of music education to remote communities ( King et al, 2019 ), and exploration of e-collaboration and theoretical frameworks for music learning in digitally deterritorialized collaborative spaces ( Cremata and Powell, 2017 ). With immersive audio techniques rapidly advancing there is also the potential to produce a shared acoustic environment within a real-time live virtual choir, whereby participants could hear themselves and other choir members in a shared virtual space in their given position with the group ( Cairns et al, 2020 ).…”
Section: Limitations and Future Workmentioning
confidence: 99%
“…While the reasoning behind the implementation of music education digital learning varies by teacher, one obvious advantage is the ability to provide quality music educational experiences to those who may not be able to experience music opportunities ( Cruywagen and Potgieter, 2005 ). Music students in remote locations can receive quality learning materials and resources through a distance learning paradigm using resources such as The Sound Exchange website, hosted by the Philharmonia Orchestra ( Crawford, 2017 ), or the Connect Resound project in England ( King et al, 2019 ).…”
Section: Review Of Literaturementioning
confidence: 99%