2014
DOI: 10.3917/sta.103.0069
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Construction d'une œuvre chorégraphique en collège et émergence d'une « compagnie de danse scolaire »

Abstract: Cette étude appréhende la pratique d’une classe de trente élèves dans le cadre d’un atelier artistique. Ce dernier était finalisé à l’échelle de l’année scolaire par la construction d’un spectacle de danse. En tant qu’expérience pédagogique privilégiée d’un Faire (créer) quelque chose ensemble , cet atelier a été le support d’une recherche de terrain s’inscrivant dans le programme du Cours d’action (Theureau, 2006). L’observatoire a accordé une place centrale à une enquête ethnographique, au recueil de « carne… Show more

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Cited by 8 publications
(4 citation statements)
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“…The second methodological orientation, the analysis of the collective articulation of 'life courses related to a practice (or project)', has been productively followed in studies dealing with (a) the collective construction of a choreographic work and the collective learning in a student collective during a physical education class (Crance, Trohel, & Saury, 2014), and (b) the collective activity in the joint conception of an artwork and the development of a computer program for an augmented string quartet (Donin, Goldszmidt, & Theureau, 2009). Questions about training as it relates to collectives are many and have yet to be fully explored at this point: How can an actor's engagement in collective histories be encouraged?…”
Section: Challenges For Activity Analysis For Training Objectivesmentioning
confidence: 99%
“…The second methodological orientation, the analysis of the collective articulation of 'life courses related to a practice (or project)', has been productively followed in studies dealing with (a) the collective construction of a choreographic work and the collective learning in a student collective during a physical education class (Crance, Trohel, & Saury, 2014), and (b) the collective activity in the joint conception of an artwork and the development of a computer program for an augmented string quartet (Donin, Goldszmidt, & Theureau, 2009). Questions about training as it relates to collectives are many and have yet to be fully explored at this point: How can an actor's engagement in collective histories be encouraged?…”
Section: Challenges For Activity Analysis For Training Objectivesmentioning
confidence: 99%
“…This training seems necessary to "democratize dance" (Padilla & Zurdo, 2003). Allowing students to engage in a genuine artistic experience, such as making a show at the end of the year (Bréau, 2013;Crance, Trohel & Saury, 2014), is an option to combat gender stereotypes. Other proposals suggest that students, especially boys, put words on their feelings and emotions during dance lessons (Gard, 2008).…”
Section: Discussionmentioning
confidence: 99%
“…En associant des dimensions (Hastie, de Ojeda & Luquin, 2011). Ces projets peuvent être conduits hors de l'EPS, notamment dans le cadre d'ateliers artistiques finalisés par un spectacle chorégraphique (Crance, Trohel & Saury, 2014). Ces évènements peuvent aussi être ponctuels, comme c'est le cas chez l'étudiante ayant rapporté les émotions positives vécues lors de la représentation de cirque du repas de Noël du lycée.…”
Section: Le Primat Des Inducteurs éMotionnels Liés Aux Compétences Reunclassified