Content Quotas: What and Whom Are They Protecting?

Micova, Sally Broughton

doi:10.1057/9781137017550_17

Cited by 6 publications

(1 citation statement)

References 15 publications

Supporting

Mentioning

Contrasting

Order By: Relevance

“…A political impetus on the part of the UK Government to support the interests of independent producers partly reflects the historically strong and well-organised lobbying efforts of this particular sector over many years. A similar commitment to fostering a programme-making sector which is separate from broadcasting is discernible at European level and is evidenced, for example, by the continued enshrinement in European legislation of a 10 percent compulsory quota on broadcast channels for independent television productions (Broughton Micova, 2013).…”

Section: Rights Asymmetry In Bargaining Power and Policy Interventionsmentioning

confidence: 96%

Television production, Funding Models and Exploitation of Content

Doyle

2016

icono14

View full text Add to dashboard Cite

El creciente aumento de las plataformas digitales está transformando las estrategias de financiación de los medios de comunicación para la producción y la explotación del valor económico de los contenidos creativos. En la industria de la televisión, los cambios que se han producido en las tecnologías de distribución y la aparición de servicios VOD (video bajo demanda) como Netflix están cambiando gradualmente tanto al público como el poder financiero de los radiodifusores, al tiempo que está generando oportunidades sin precedentes para los realizadores de programas. A partir de los resultados de un reciente investigación financiada por la RCUK (Research Councils UK), este artículo examina cómo estos cambios están afectando a la financiación de la producción de contenidos para televisión. En particular se centra en evaluar los cambios en las dinámicas de los mercados de derechos así como los nuevos enfoques estratégicos para la financiación<br />de la producción de la televisión con el fin de comprender el valor que tienen para los mercados, las industrias y las políticas destinadas a apoyar la sostenibilidad económica de las empresas de producción de contenidos televisivos independientes.

show abstract

Section: Rights Asymmetry In Bargaining Power and Policy Interventionsmentioning

confidence: 96%

Television production, Funding Models and Exploitation of Content

Doyle

2016

icono14

View full text Add to dashboard Cite

show abstract

International Trends

Doyle

Paterson

Barr

2021

Palgrave Global Media Policy and Business

View full text Add to dashboard Cite

VOD service providers and regulation in the European Union: an audiovisual diversity approach

Leiva

Albornoz

2020

International Journal of Cultural Policy

View full text Add to dashboard Cite

A firm step in order to impose a quota for the catalogues of video-on-demand service providers has been given by the EU through the amendment of the Audiovisual Media Services Directive in 2018. This paper aims to analyse the potential implications of this change, in relation to the way the promotion of European works has been implemented so far, since some comments can be made in light of this revision. It will be argued that more interesting than the obligation to comply with a quota, defined by the geographical origin of audiovisual works, is the idea of making VOD service providers part of every national audiovisual production and financing system via direct or indirect financial contributions. It is concluded that indirect obligations could offer a wider room for manoeuvre to better help focus public policy decisions.

show abstract

Content Quotas: What and Whom Are They Protecting?

Cited by 6 publications

References 15 publications

Television production, Funding Models and Exploitation of Content

Television production, Funding Models and Exploitation of Content

International Trends

VOD service providers and regulation in the European Union: an audiovisual diversity approach

Contact Info

Product

Resources

About