Managing Media Firms and Industries 2016
DOI: 10.1007/978-3-319-08515-9_14
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Contents as Products in Media Markets

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Cited by 13 publications
(9 citation statements)
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References 19 publications
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“…The media industry has always been characterized by a high level of entrepreneurial activity, even before the digital era began (Naldi and Achtenhagen 2011). Risk (Doyle 2016;Picard 2004), uncertainty (Medina et al 2016;, innovativeness Price Schultz and Jones 2017;Van Weezel 2010), competitiveness (Gershon 2013;Mierzejewska et al 2017), and new business models (Gerpott and Niegel 2002) are among the specific characteristics of this industry that help align its operating firms with the entrepreneurial orientations (Emami and Khajeheian 2017).…”
Section: Methodsmentioning
confidence: 99%
“…The media industry has always been characterized by a high level of entrepreneurial activity, even before the digital era began (Naldi and Achtenhagen 2011). Risk (Doyle 2016;Picard 2004), uncertainty (Medina et al 2016;, innovativeness Price Schultz and Jones 2017;Van Weezel 2010), competitiveness (Gershon 2013;Mierzejewska et al 2017), and new business models (Gerpott and Niegel 2002) are among the specific characteristics of this industry that help align its operating firms with the entrepreneurial orientations (Emami and Khajeheian 2017).…”
Section: Methodsmentioning
confidence: 99%
“…Nutzerinnen und Nutzer akzeptieren ein Angebot nur in seiner Gesamtheit. Inhalte und Technologie als die zwei fundamentalen Komponenten von Medienprodukten, die in engem Wechselverhältnis zueinanderstehen, werden auch in der Forschung zu Medienprodukten hervorgehoben (Medina et al, 2016). Dieser Sachverhalt ist in der Informationswissenschaft schon länger bekannt und die Operationalisierung des Technologiebegriffs beinhaltet hier zumeist auch die kommunizierten Inhalte (Bawden & Robinson, 2012).…”
Section: Erweitertes Utaut2-modellunclassified
“…The fact that such growth is not reflected in terms of margin/EBIT proves that not every international company benefits from economies of scope and scale, especially if the audiovisual contents they offer are not attractive to audiences beyond the original market. The uncertainty inherent in the audiovisual market makes it difficult to predict the success of specific contents (Medina, Sánchez-Tabernero, & Arrese, 2016;Medina & Herrero, 2013).…”
Section: Conclusion and Managerial Implicationsmentioning
confidence: 99%