2016
DOI: 10.1108/s1047-004220160000015010
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Contested Cityscapes: Politics of Vertical Construction in Paris and Vienna

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Cited by 3 publications
(3 citation statements)
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“…After having been one of the fields of experimentation for vertical urbanism, several European cities experienced a reaction against high-rises that correlated with the institutionalization of forms of heritage protection. After modernism, came the valuing of more pastiche or postmodern forms of urbanism, putting the accent more on morphological continuity and the conservation of historical urban centers (Appleyard, 1979;Delafons, 1998;Glauser, 2016). Many heritage lobbies, which became major players in the contemporary regulation of urban planning in European cities, were created in reaction to reconstruction and modernization projects (Backouche, 2016).…”
Section: < Current Figure 2 About Here>mentioning
confidence: 99%
“…After having been one of the fields of experimentation for vertical urbanism, several European cities experienced a reaction against high-rises that correlated with the institutionalization of forms of heritage protection. After modernism, came the valuing of more pastiche or postmodern forms of urbanism, putting the accent more on morphological continuity and the conservation of historical urban centers (Appleyard, 1979;Delafons, 1998;Glauser, 2016). Many heritage lobbies, which became major players in the contemporary regulation of urban planning in European cities, were created in reaction to reconstruction and modernization projects (Backouche, 2016).…”
Section: < Current Figure 2 About Here>mentioning
confidence: 99%
“…Nevertheless, once planning was established as a formal activity in the early 1900s, Vienna's Ringstrasse, along with Haussmann's interventions in Paris, became an influential precedent for other cities and for many of the discipline's newly confirmed theorists. 9 For example, in 1910, Patrick Abercrombie suggested that:…”
mentioning
confidence: 99%
“…Après avoir été un symbole de la modernisation des villes nord-américaines et de leur émancipation des modèles urbanistiques européens (Cohen, 1995 ;Paquot, 2008), les gratte-ciel bouleversent désormais les paysages urbains bien au-delà de leur lieu d'invention (Graham, 2017). Villes secondaires en quête d'un affichage sur la scène des villes globales (Grubbauer, 2014), centres historiques où les verrous de la protection patrimoniale sont desserrés pour faire de la place à ces nouveaux monuments (Appert, 2016 ;Glauser, 2016), villes émergentes où les stratégies d'investissement hautement spéculatives font bondir les valeurs foncières et avec elles la hauteur des immeubles (Halbert & San Felici, 2015), les figures de la verticalisation contemporaine traduisent bien souvent l'intensification de politiques urbaines entrepreneuriales associant geste architectural monumental au service du branding territorial et valorisation foncière. De Shanghai à Dubaï en passant par des villes plus en marge de la mondialisation économique et financière, l'immeuble de grande hauteur est devenu un nouvel objet générique de l'urbanisme contemporain.…”
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